Karen rose, as Barker announced her, from the side of a stout lady at the piano, and Mrs. Forrester, nodding, her finger at her lips, dropped into a chair and listened.
The stout lady at the piano had a pale, fat, pear-shaped face, her grizzled hair parted above it and twisted to a large outstanding knob behind. She wore eyeglasses and peered through them at her music with intelligent intensity and profound humility. The violin was played by an enormous young man with red hair, and the viola, second violin and 'cello by three young women, all of the black-and-tan Semitic type.
Mrs. Forrester was too much preoccupied with her wonder to listen as she would have wished to, but by the time the end of the movement was come she had realized that they played extremely well.
Karen came forward in the interval. She was undoubtedly pale and heavy-eyed; but in her little dress of dark blue silk, with her narrow lawn ruffles and locket and shining hair, she showed none of the desperate signs appropriate to her circumstances nor any embarrassment at the incongruous situation in which Mrs. Forrester found her.
"This is Frau Lippheim, Mrs. Forrester," she said. "And these are Fräulein Lotta and Minna and Elizabeth, and this is Herr Franz. I think you have often heard Tante speak of our friends."
Her ears buzzing with the name of Lippheim since the night before, Mrs. Forrester was aware that she showed confusion, also that for a brief, sharp instant, while her eyes rested on Herr Franz, a pang of perverse sympathy for Gregory, in a certain aspect of his wickedness, disintegrated her state of mind. He was singular looking indeed, this untidy young man, whose ill-kept clothes had a look of insecurity, like arrested avalanches on a mountain. "No, I can feel for Gregory somewhat in this," Mrs. Forrester said to herself.
"We are having some music, you see," said Karen. "Herr Lippheim promised me yesterday that they would all come and play to me. Can you stay and listen for a little while? They must go before tea, for they have a rehearsal for their concert," she added, as though to let Mrs. Forrester know that she was not unconscious of the matter that must have brought her.
There was really no reason why she shouldn't stay. She could not very well ask to have the Lippheims and their instruments turned out. Moreover she was very fond of the Quintet. Mrs. Forrester said that she would be glad to stay.
When they went on to the fourth movement, and while she listened, giving her mind to the music, Mrs. Forrester's disintegration slowly recomposed itself. It was not only that the music was heavenly and that they played so well. She liked these people; they were the sort of people she had always liked. She forgot Herr Franz's uncouth and mountainous aspect. His great head leaning sideways, his eyes half closed, with the musician's look of mingled voluptuous rapture and cold, grave, listening intellect, he had a certain majesty. The mother, too, all devout concentration, was an artist of the right sort; the girls had the gentle benignity that comes of sincere self-dedication. They pleased Mrs. Forrester greatly and, as she listened, her severity towards Gregory shaped itself anew and more forcibly. Narrow, blind, bigoted young man. And it was amusing to think, as a comment on his fierce consciousness of Herr Lippheim's unfitness, that here Herr Lippheim was, admitted to the very heart of Karen's sorrow. It was inconceivable that anyone but very near and dear friends should have been tolerated by her to-day. Karen, too, after her fashion, was an artist. The music, no doubt, was helpful to her. Soft thoughts of her great, lacerated friend, speeding now towards her solitudes, filled Mrs. Forrester's eyes more than once with tears.
They finished and Frau Lippheim, rubbing her hands with her handkerchief, stood smiling near-sightedly, while Mrs. Forrester expressed her great pleasure and asked all the Lippheims to come and see her. She planned already a musical. Karen's face showed a pale beam of gladness.