"Les Solitudes,
"April 2nd.
"Dear Mr. Jardine,—You make a charming picture of the primroses in the blue and white bowls for me. And of your view over the park. London can be so beautiful; I, too, care for it very much. It is beautiful here now; the hedges all white with blackthorn and the woods full of primroses. My guardian must now be in San Francisco! She is back in New York in May, and is to give three more great concerts there. I am impatiently waiting for my next letter from her. I am so glad you like the primroses. Many, many thanks for the fruit.—Yours sincerely,
"Karen Woodruff."
"Les Solitudes,
"April 5th.
"Dear Mr. Jardine,—What you say makes me feel quite troubled. I know you write playfully, yet sometimes one can dire la vérité en riant, and it is as if you had found my letters very empty and unresponsive. I did not mean them to be that of course; but I am not at all in the habit of writing letters except to people I am very intimate with. Indeed, I am in the habit only of writing to my guardian, and it is difficult for me to think that other people will be interested in the things I am doing. And in one way I do so little here. Nothing that I could believe interesting to you; nothing really but have walks and practise my music and read; and talk sometimes with Mrs. Talcott. About once in two months the vicar's wife has tea with us, and about once in two months we have tea with her; that is all. And I am sure you cannot like descriptions of landscapes. I love to look at landscapes and dislike reading what other people have to say about them; and is not that the same with you? It is quite different that you should write to me of things and people; for you see so many and you do so much and you know that to someone in the depths of the country all this must be very interesting. So do not punish me for my dullness by ceasing to write to me.—Sincerely yours,
"Karen Woodruff."
"Les Solitudes,
"April 10th.
"Dear Mr. Jardine,—Of course I will write you descriptions of landscapes!—and of all my daily routine, if you really care to hear. No; I am not lonely, though of course I miss my guardian very much. I have the long, long walks with Victor, in wet weather over the inland moors along the roads, and in fine weather along the high cliff paths; sometimes we walk ten miles in an afternoon and come back very tired for tea. In the evenings I sit with Mrs. Talcott over the fire. You ask me to describe Mrs. Talcott to you, and to tell you all about her. She is with me now, and we are in the morning room, where we always sit; for the great music-room that opens on the verandah and fronts the sea is shut when my guardian is not here. This room looks over the sea, too, but from the side of the house and through an arabesque of trees. The walls are filled with books and flowering bulbs stand in the windows. We have had our tea and the sunlight slants in over the white freesia and white hyacinths. There are primroses everywhere, too, and they make the room seem more full of sunlight. You could hardly see a more beautiful room. Mrs. Talcott sits before the fire with her skirt turned up and her feet in square-toed shoes on the fender and looks into the fire. She is short and thick and very old, but she does not seem old; she is hard; not soft and withered. She has a large, calm face with very yellow skin, and very light blue eyes set deeply under white eyebrows. Her hair is white and drawn up tightly to a knot at the top of her head. She wears no cap and dresses always in black; very plain, with, in the daytime, a collar of white lawn turning over a black silk stock and bow, such as young girls wear, and, in the evening, a little fichu of white net, very often washed, and thin and starchy. And since her skirts are always very short, and her figure so square, she makes one think of a funny little girl as well as of an old woman. She comes from the State of Maine, and she remembers a striving, rough existence in a little town on the edge of wildernesses. She is a very distant relation of my guardian's. My guardian's maternal grandparents were Spanish and lived in New Orleans, and a sister of Señor Bastida's (Bastida was the name of my guardian's grandfather)—married a New Englander, from Vermont—and that New Englander was an uncle of Mrs. Talcott's—do you follow!—her uncle married my guardian's aunt, you see. Mrs. Talcott, in her youth, stayed sometimes in New Orleans, and dearly loved the beautiful Dolores Bastida who left her home to follow Pavelek Okraska. Poor Dolores Okraska had many sorrows. Her husband was not a good husband and her parents died. She was very unhappy and before her baby came—she was in Poland then,—she sent for Mrs. Talcott. Mrs. Talcott had been married, too, and had lost her husband and was very poor. But she left everything and crossed to Europe in the steerage—and what it must have been in those days!—imagine!—to join her unfortunate relative. My guardian has told me of it; she calls Mrs. Talcott: 'Un coeur d'or dans un corps de bois.' She stayed with Dolores Okraska until she died a little time after. She brought up her child. They were in great want; my guardian remembers that she had sometimes not enough to eat. When she was older and had already become famous, some relatives of the Bastidas heard of her and helped; but those were years of great struggle for Mrs. Talcott; and it is so strange to think of that provincial, simple American woman with her rustic ways and accent, living in Cracow and Warsaw, and Vienna, and steadily doing what she had set herself to do. She speaks French with a most funny accent even yet, though she spent so many years abroad, so many in Paris. I do not know what would have become of my guardian if it had not been for her. Her father loved her, but was very erratic and undisciplined. Mrs. Talcott has been with my guardian for almost all the time ever since. It is a great and silent devotion. She is very reticent. She never speaks of herself. She talks to me sometimes in the evenings about her youth in Maine, and the long white winters and the sleigh-rides; and the tapping of the maple-trees in Spring; and the nutting parties in the fall of the year. I think that she likes to remember all this; and I love to hear her, for it reminds me of what my father used to tell me of his youth; and I love especially to hear of the trailing arbutus, that lovely little flower that grows beneath the snow; how one brushes back the snow in early Spring and finds the waxen, sweet, pink flowers and dark, shining leaves under it. And I always imagine that it is a doubled nostalgia that I feel and that my mother's Norway in Spring was like it, with snow and wet woods. There is a line that brings it all over me: 'In May, when sea-winds pierced our solitudes.' It is by Emerson. The Spring here is very lovely, too, but it has not the sweetness that arises from snow and a long winter. Through the whole winter the fuchsias keep their green against the white walls of the little village, huddled in between the headlands at the edge of the sea beneath us. You know this country, don't you? The cliffs are so beautiful. I love best the great headlands towards the Lizard, black rock or grey, all spotted with rosettes of orange lichen with sweeps of grey-green sward sloping to them. Victor becomes quite intoxicated with the wind on these heights and goes in circles round and round, like a puppy. Later on, all the slopes are veiled in the delicate little pink thrift, and the stone walls are festooned with white campion.