She got up and walked up and down the room. A fever of desperate, baffled anger burned in her. He saw that she did not trust herself to speak. She was afraid of betraying, to herself and to him, the ugly distortion of her soul.

He was not to die; he was not her lover; and Kitty was the primitive woman. She could be in love, but she could not love unless pity were appealed to. His loss of all passion had killed her romance. His loss of all pathos had, perhaps, killed even human tenderness. For it was he who had drawn away. She was humiliated to the dust.

And that she made a great effort upon herself, so that to his eyes the ugliness might not be betrayed, he guessed presently when, looking persistently away from him and out at the garden—their garden! alas!—where a fine rain fell silently, she said: "I am glad that your sorrow is over. I hope that you will find happier things—and realler things—than you have found in this month. I will remember all that you have said to-day. I think that you have cured me for ever. I shall not be in love again."

"Kitty! Kitty!" he breathed out. She hurt him too much, the poor child, arming its empty heart against him. "Don't speak like that. Remember—the month has been beautiful."

The tears rose in her eyes, but the hostility did not leave them. "Beautiful? When it has not been real?"

"Can't we remember the beauty—make something more real?" he now almost wept. But there it was, the shallow, the hard child's heart. He was not in love with her. And, like a nest of snakes, the memory of all her humiliations—her appeals, her proffered love, his evasions and withdrawals—was awake within her. She smiled, a smile that, seeking magnanimity, found only bitterness. "You must speak for yourself, dear Nicholas. For me it was real, and you have spoiled the beauty."

The servants came in while she spoke and she moved aside to make way for the placing of the tea-table. Traces of the fever were upon her yet; her delicate face was flushed, her eyes sparkled. But she had regained the place she meant to keep. She would own to no discomfitures deeper than those that were creditable to her. Moving here and there, touching the flowers in a vase, straightening reviews scattered on a table, she was even able to smile again at him a smile almost kind, and keeping, before him, as well as for the servants, all the advantage of composure.

That smile would often meet him throughout life, and so he would see her, moving delicately and gracefully, making order and comeliness about her, for many years. She set the key. It was the key of their future life together, Holland knew, as he heard her say: "Do sit down and rest. You must want your tea after that tiresome journey."


THE WHITE PAGODA