The Shadow of Life

by Anne Douglas Sedgwick

HE moor was like an amethyst under a radiant August sky, and the air, with its harmony of wind and sunlight, was like music.

Eppie walked beside him and Peter trotted before. The forms were changed, but it might almost have been little Eppie, the boy Gavan, and Robbie himself who went together through the heather. The form was changed, but the sense of saneness so strong that it would have seemed perfectly natural to pass an arm about a child Eppie’s neck and to talk of the morning’s reading in the Odyssey.

Never had the feeling of reality been so vague or the dream sense been so beautiful. His instinctive choice of this peace, instead of the other, had been altogether justified. It was all like a delightful game they had agreed to play, and the only rule of the game was to take each other’s illusions for granted and, in so doing, to put them altogether aside.

It was as if they went in a dream that tallied while, outside their dream, the sad life of waking slept. It was all limpid, all effortless, all clear sunlight and clear wind: limpid, like a happy dream, yet deliciously muddled too, as a happy dream is often muddled, with its mazed consciousness that, since it is a dream, ordinary impossibilities may become quite possible, that one only has to direct a little the turnings of the fairy-tale to have them lead one where one will, and yet that to all strange happenings there hovers a background of contradiction that makes them the more of an enchanted perplexity.

In the old white house the general and Miss Barbara would soon be expecting them back to tea, both older, both vaguer, both, to Gavan’s appreciation, more and more the tapestried figures, the background to the young life that still moved, felt, thought in the foreground until it, too, should sink and fade into a tapestry for other dramas, other fairy-tales.

The general retold his favorite anecdotes with shorter intervals between the tellings; cared more openly, with an innocent greediness, about the exactitudes of his diet; was content to sit idly with an unremembering, indifferent benignancy of gaze. All the sturdier significances of life were fast slipping from him, all the old martial activities; it was like seeing the undressing of a child, the laying aside of the toy trumpet and the soldier’s kilt preparatory to bed. Miss Barbara was sweeter than ever—a sweetness even less touched with variations than last year. And she was sillier, poor old darling; her laugh had in it at moments the tinkling, feeble foolishness of age.

Gavan saw it all imperturbably—how, in boyhood, the apprehension of it would have cut into him!—and it all seemed really very good—as the furniture to a fairy-tale; the sweet, dim, silly tapestry was part of the peace. How Eppie saw it he didn’t know; he didn’t care; and she seemed willing not to care, either, about what he saw or thought. Eppie had for him in their fairy-tale all the unexacting loveliness of summer nature, healing, sunny, smiling. He had been really ill, he knew that now, and that the peace was in part the languor of convalescence, and, for the sake of his recovery, she seemed to have become a part of nature, to ask no questions and demand no dues.

To have her so near, so tender, so untroubling, was like holding in his hands a soft, contented wild bird. He could, he thought, have held it against his heart, and the heart would not have throbbed the faster.

There was nothing in her now of the young Valkyrie of mists and frosts, shaking spears and facing tragedy with stern eyes. She threatened nothing. She saw no tragedy. It was all again as if, in a bigger, more beautiful way, she gave him milk to drink from a silver cup. Together they drank, no potion, no enchanted, perilous potion, but, from the cup of innocent summer days, the long, sweet dream of an Eternal Now.