The Shadow of Life

by Anne Douglas Sedgwick

E had never seen Eppie again, and sixteen years had passed.

It was of this that Gavan was thinking as the Scotch express bore him northward on a dark October night.

A yellow-bound, half-cut volume of French essays lay beside him. He had lighted a cigar and, his feet warmly ensconced on the hot-water tin, his legs enfolded in rugs, the fur collar of his coat turned up about his ears, he leaned back, well fortified against the sharp air that struck in from the half-opened window.

Gavan, at thirty, had oddly maintained all the more obvious characteristics of his boyhood. He was long, pale, emaciated, as he had been at fourteen. His clean-shaved face was the boy’s face, matured, but unchanged in essentials. The broad, steep brow, the clear, aquiline jut of nose and chin, the fineness and strength of the jaw, sculptured now by the light overhead into vehement relief and shadow, were more emphatic, only, than they had been.

At fourteen his face had surprised with its maturity and at thirty it surprised with its quality of wistful boyishness. This was the obvious. The changes were there, but they were subtle, consisting more in a certain hardening of youth’s hesitancy into austerity; as though the fine metal of the countenance had been tempered by time into a fixed, enduring type. His pallor was the scholar’s, but his emaciation the athlete’s; the fragility, now, was a braced and disciplined fragility. No sedentary softness was in him. In his body, as in his face, one felt a delicacy as strong as it was fine. The great change was that hardening to fixity.

To-night, he was feeling the change himself. The journey to Kirklands, after the long gap that lay between it and his farewell, made something of an epoch for his thoughts. He did not find it significant, but the mere sense of comparison was arresting.

The darkness of the October night, speeding by outside, the solitude of the bright railway carriage, London two hours behind and, before, the many hours of his lonely journey,—time and place were like empty goblets, only waiting to be filled with the still wine of memory.

Gavan had not cast aside his book, lighted his cigar, and, leaning back, drawn his rugs about him with the conscious intention of yielding himself to retrospect. On the contrary, he had, at first, pushed aside the thoughts that, softly, persistently, pressed round him. Then the languor, the opportunity of the hour seized him. He allowed himself to drift hither and thither, as first one eddy lapped over him and then another. And finally he abandoned himself to the full current and, once it had him, it carried him far.

It was, at the beginning, as far back as Eppie and childhood that it carried him, to the sunny summer days and to the speechless parting of the rainy autumn morning. And, with all that sense of change, he was surprised to find how very much one thing had held firm. He had never forgotten. He had kept the mute promise of that misty morning. How well he had kept it he hadn’t known until he found the chain of memory hold so firm as he pulled upon it. The promise had been made to himself as well as to her, given in solemn hostage to his own childish fears. Even then what an intuitive dread had been upon him of the impermanence of things. But it wasn’t impermanent after all, that vision.

Dear little Eppie. It was astonishing now to find how well he remembered, how clearly he could see, in looking back,—more clearly than even his acute child’s perception had made evident to him,—what a dear little Eppie she had been. She lived in his memory, and probably nowhere else: in the present Eppie he didn’t fancy that he should find much trace of the child Eppie, and it was sad, in its funny way, to think that he, who had, with all his forebodings, so felt the need of a promise, should so well remember her who, undoubtedly, had long ago forgotten him. He took little interest in the present Eppie. But the child wore perfectly with time.