The Shadow of Life

by Anne Douglas Sedgwick

Eppie’s disaster must have been keenly felt and keenly resented at Kirklands. The general made no further reference to it and Gavan asked no question.

There was a fire, a lamp, and several clusters of candles in the long, dark library when Gavan entered it an hour later, so that the darkness was full of light; yet he had wandered slowly down its length, looking about him at the faded tan, russet, and gilt of well-remembered books, at the massive chairs and tables, all in their old places, all so intimately familiar, before seeing that he was not alone in the room.

Some one in white was sitting, half submerged in a deep chair, behind the table with its lamp—some one who had been watching him as he wandered, and who now rose to meet him, taking him so unawares that she startled him, all the light in the dim room seeming suddenly to center upon her and she herself to throw everything, even his former thoughts of her, into the background.

It was Eppie, of course, and all that he had heard of her, all that he had conjectured, fell back before the impression that held him in a moment, long, really dazzled, yet very acute.

Her face was narrow, pale, faintly freckled; the jaw long, the nose high-bridged, the lips a little prominent; and, as he now saw, a clear flush sprang easily to her cheeks. Eyes, lips, and hair were vivid with color: the hair, with its remembered rivulets of russet and gold, piled high on her head, framing the narrow face and the long throat; the eyes gray or green or gold, like the depths of a mountain stream.

He had heard many analogies for the haunting and fugitive charm of Miss Gifford’s face—a charm that could only, apparently, be caught with the subtleties of antithesis. One appreciator had said that she was like an angelic jockey; another, that with a statesman’s gaze she had a baby’s smile; another, that she was a Flying Victory done by Velasquez. And with his own dominant impression of strength, sweetness, and daring, there crowded other similes. Her eyes had the steeplechaser’s hard, smiling scrutiny of the next jump; the halloo of the hunt under a morning sky was in them, the joyous shouts of Spartan boys at play; yet, though eyes of heroism and laughter, they were eyes sad and almost tragically benignant.

She was tall, with the spare lightness of a runner poised for a race, and the firm, ample breast of a hardy nymph. She suggested these pagan, outdoor similes while, at the same time, luxuriously feminine in her more than fashionable aspect, the last touches of modernity were upon her: her dress, the eighteenth-century, interpreted by Paris, her decorations all discretion and distinction—a knot of silver-green at her breast, an emerald ring on her finger, and emerald earrings, two drops of smooth, green light, trembling in the shadows of her hair.

Altogether Gavan was able to grasp the impression even further, to simplify it, to express at once its dazzled quality and its acuteness, as various and almost violent, as if, suddenly, every instrument in an orchestra were to strike one long, clear, vibrating note.

His gaze had been prolonged, and hers had answered it with as open an intentness. And it was at last she who took both his hands, shook them a little, holding them while, not shyly, but with that vivid flush on her cheek, “You,” she said.

For she was startled, too. It was he. She remembered, as if she had seen them yesterday, his air of quick response, surface-shrinking, deep composure, the old delicious smile, and the glance swiftly looking and swiftly averted.