"Mary Lamb."

"Good wishes and all proper remembrances from old nurse, Mrs. Jeffries, Mrs. Reynolds, Mrs. Rickman, &c. Long live Queen Hoop-oop-oop-oo and all the old merry phantoms."

Sarah Stoddart returned to England before the year was out. Coleridge remained in Malta, filling temporarily, at the request of Sir Alexander Ball, governor of the island, the post of public secretary till the end of September, 1805 when his friends lost track of him altogether for nearly a year; during which he visited Paris, wandered through Italy, Sicily, Cairo, and saw Vesuvius in December when "the air was so consolidated with a massy cloud-curtain that it appeared like a mountain in basso-relievo in an interminable wall of some pantheon"; and after narrowly escaping imprisonment at the hands of Napoleon, suddenly reappeared amongst his friends in the autumn of 1806.

To the Wordsworths, brother and sister and young wife, for the three were one in heart, this year of 1805 had been one of overwhelming sorrow. Their brother John, the brave and able ship's captain who yet loved "all quiet things" as dearly as William "although he loved more silently," and was wont to carry that beloved brother's poems to sea and con them to the music of the winds and waves; whose cherished scheme, so near fulfilment, it was to realise enough to settle in a cottage at Grasmere and devote his earnings to the poet's use so that he might pursue his way unharassed by a thought of money,—this brother was shipwrecked on the Bill of Portland just as he was starting, and whilst the ship was yet in the pilot's hands, on what was to have been, in how different a sense, his last voyage.

Six weeks beneath the moving sea
He lay in slumber quietly;
Unforced by wind or wave
To quit the ship for which he died
(All claims of duty satisfied);
And there they found him at her side,
And bore him to the grave.

After waiting awhile in silence before a grief of such magnitude Mary wrote to Dorothy Wordsworth. She speaks as one acquainted with a life-long sorrow yet who has learned to find its companionship not bitter:—

"I thank you, my kind friend, for your most comfortable letter; till I saw your own handwriting I could not persuade myself that I should do well to write to you though I have often attempted it; but I always left off dissatisfied with what I had written, and feeling that I was doing an improper thing to intrude upon your sorrow. I wished to tell you that you would one day feel the kind of peaceful state of mind and sweet memory of the dead which you so happily describe as now almost begun; but I felt that it was improper and most grating to the feelings of the afflicted to say to them that the memory of their affliction would in time become a constant part, not only of their dream, but of their most wakeful sense of happiness. That you would see every object with and through your lost brother and that that would at last become a real and everlasting source of comfort to you I felt and well knew from my own experience in sorrow; but till you yourself began to feel this I didn't dare tell you so; but I send you some poor lines which I wrote under this conviction of mind and before I heard Coleridge was returning home. I will transcribe them now, before I finish my letter, lest a false shame prevent me then for I know they are much worse than they ought to be, written as they were with strong feeling and on such a subject; every line seems to me to be borrowed: but I had no better way of expressing my thoughts and I never have the power of altering or amending anything I have once laid aside with dissatisfaction:—

Why is he wandering on the sea?
Coleridge should now with Wordsworth be.
By slow degrees he'd steal away
Their woe and gently bring a ray
(So happily he'd time relief)
Of comfort from their very grief.
He'd tell them that their brother dead,
When years have passed o'er their head,
Will be remembered with such holy,
True, and perfect melancholy,
That ever this lost brother John
Will be their heart's companion.
His voice they'll always hear,
His face they'll always see:
There's nought in life so sweet
As such a memory.

Thus for a moment are we permitted to see that, next to love for her brother, the memory of her dead mother and friendship for Coleridge were the deep and sacred influences of Mary's life.