I think Ronsard, as well as Chastelard, accompanied Mary upon her sad return to Scotland after the death of Francis, and how cold and barren that north country must have seemed after the rich fertility and beauty of Touraine! Do you remember our own impressions of Holyrood on a rainy August morning, and the chill gloom of poor Mary's bedroom, and the adjoining dismal little boudoir where she supped with Rizzio,—the room in which he was murdered as he clung to her garments for protection? I thought of it to-day as we stood in the warm sunshine of the court, with the blooming parterres spread before us, realizing, as never before, the sharp contrast between such palaces of pleasure as this and Mary's rude northern castles. An appropriate setting was this château for the gay, spirited young creature, who seems to have been a queen every inch from her childhood, with a full appreciation of her own importance. It seems that she mortally offended Catherine, when a mere child, by saying that the Queen belonged to a family of merchants while she herself was the daughter of a long line of kings. In some way, Mary's words were repeated to Catherine, who never forgave the bitter speech, all the more bitter for its truth.

Finding that we had not yet seen the Galerie Louis XIV, which, for some reason, is not generally shown to visitors, our friendly cicerone who, as he expressed it, knows Chenonceaux as he knows the palm of his hand, conducted us again to the château. For him all doors were opened, as by magic, and we afterwards learned that he had some acquaintance with Monsieur Terry, the present owner of this fair domain.

Although the Galerie Louis XIV, on the upper floor of the long gallery, is not particularly beautiful or well decorated, it is interesting because here were first presented some of the plays of Jean Jacques Rousseau, L'Engagement Téméraire and Le Devin du Village. Such later associations as this under the régime of the Fermier Général and Madame Dupin are those of an altogether peaceful and homelike abode. In his Confessions Rousseau says: "We amused ourselves greatly in this fine spot. We made a great deal of music and acted comedies. I wrote a comedy, in fifteen days, entitled L'Engagement Téméraire, which will be found amongst my papers; it has not other merit than that of being lively. I composed several other little things: amongst others a poem entitled, L'Allée de Sylvie, from the name of an alley in the park upon the banks of the Cher; and this without discontinuing my chemical studies or interrupting what I had to do for Madame D——n." Rousseau was at this time acting as secretary to Madame Dupin and her son-in-law, Monsieur Francueil. Elsewhere he complains that these two dilettanti were so occupied with their own productions that they were disposed to belittle the genius of their brilliant secretary, which, after all, was not unnatural, as the "New Eloisa" and his other famous works had not then been given to the world.

Monsieur Crapaud explained to us that Madame Dupin was not only a beauty and a précieuse, but an excellent business woman, so clever, indeed, that she managed to prove, by hook or by crook, that Chenonceaux had never been absolutely crown property and so did not fall under the coup de décret. She retained this beautiful château during the Revolution, and lived here in heroic possession, during all the upheavals and changes of that tumultuous period.

Thanks to Monsieur Crapaud, we missed no part of the château, even to the kitchens, which are spacious and fitted out with an abundant supply of the shining, well-polished coffee pots, pans, and casseroles that always make French cookery appear so dainty and appetizing. He accompanied us, with charming amiability, through this most important department of the château, and never once, amid the evidences of luxurious living, did he even look supercilious or, as Lydia expressed it afterwards, "As if he were saying to himself, 'I wonder what these benighted Americans think of French cookery now!'" Not even when Miss Cassandra asked her favorite question in royal palaces, "How many in family?" was there a ghost of a smile upon his face, and yet he must have understood her, as he turned to a guide and asked how many persons constituted the family of Monsieur Terry. This Cuban gentleman who now owns the château is certainly to be congratulated upon his excellent taste; the restoration of the building and the laying out of the grounds are all so well done, the whole is so harmonious, instinct with the spirit of the past, and yet so livable that the impression left upon us was that of a happy home. In the past, Chenonceaux witnessed no such horrors as are associated with Amboise and so many of the beautiful castles of Touraine. Small wonder that Henry II wrote of this fair palace, as we read in a little book lying on one of the tables: "Le Châsteau de Chenonceau est assis en un des meillures, et plus beaulx pays de nostre royaume."

"I must confess that I feel sorry for poor Diana," said Miss Cassandra, as we lingered among the flowers and shrubbery of the lovely gardens. "What became of her after Catherine turned her out of her château?"

"You remember, Madame, that Chaumont was given her in exchange, although Catherine gave her to understand that she considered the smaller château of Anet a more suitable place for her to retire to, her sun having set. For this reason, or because she preferred Anet, Madame Diane retired to this château, which she had beautified in her early years, and in whose grounds Jean Goujon had placed a charming figure of herself as Diane Chaseresse. This marble, destroyed during the Revolution, has been carefully restored, and so Diane now reigns in beauty at the Louvre, where this statue has found a place."

Monsieur Crapaud, whose name, it transpires, is La Tour, an appropriate one and one easily remembered in this part of the world, returned to Tours in the same train with us, and to our surprise we found that he also was stopping at the Pension B——. The manner in which he said "My family always stop at the Pension B——" seemed to confer an enviable distinction upon the little hostel, and in a way to dim the ancient glories of the Hôtel de l'Univers.