Having reached the central lantern we found ourselves upon a flat roof, surrounded by a perfectly bewildering maze of peaks, pinnacles, lanterns, chimneys and spires, which constitute what our guide is pleased to call the ensemble de la toiture. This vast terrace, which covers the main building of the palace, is one of the architectural marvels of France. Here it seems as if the architect had allowed himself unlimited freedom in decoration, in which he was aided by such artists as Jean Goujon and Cousin, who zealously worked upon the ornamentation of these bell turrets, balconies and towers, as if to prove the sincerity and beauty of French art. This luxuriant flowing forth, in stone carving, of foliage, flower, boss and emblem, has resulted in an ensemble of indescribable charm, the dazzling light stone of Bourré, of which the château is built, lending itself harmoniously to the elaborate Renaissance decoration.

It was of Jean Goujon, whose exquisite work we see now and again in these châteaux, that some writer has said, that the muse of Ronsard whispered in the ear of the French sculptor, and thus Goujon's masterpieces were poems of Ronsard translated in marble. It is a rather pretty fancy, but Lydia and I cannot remember its author. Walter says that he can understand why the Counts of Blois built their castle here, as this place seems to have formed part of a system of fortresses which guarded the Loire, making it possible, in the time of Charles VII, for Joan of Arc to move her army up the river to Orleans; but why Francis should have transformed this old castle into a palace is not so easy to understand. When so many more attractive sites were to be found, it seems strange that he should have chosen this sandy flat upon the border of what was then the sad and barren Solange. One reason given is that the country about Chambord was rich in game, and we know that Francis was an inveterate hunter; another theory is that a charming woman, the Comtesse de Thoury, one of the early loves of the King, had a manor in the neighborhood.

"Both excellent reasons!" exclaimed Archie, "Dame Quickly is evidently an apt student of human nature."

These various surmises and bits of information were poured into our ears by the guide, a plump and merry soul, whom Archie at once dubbed Dame Quickly. As she conducted us from room to room, she turned to me and, with a flash of her black eyes, exclaimed, "If these walls could speak, what tales they could tell!" adding that, for her part, she believed that the King came here for the hunting, the Comtesse de Thoury having been a love of his youth, and, with a knowing shake of her head, "You know, Mesdames, how short is the memory of man for an early love, especially a king's memory, when another is always to be found to take the vacant place." When we explained this philosophic reflection upon their sex to the men of the party, they declared that an unfair advantage was being taken by this facetious dame, simply because they were not able to answer back and vindicate the eternal fidelity of man. Then, as if divining what was being said, through her quick woman's instinct, she drew us toward a window in the study of Francis I and showed us these lines scratched upon one of the panes:

Souvent femme varie;
Mal habile qui s'y fie.

Some discredit is thrown upon the authenticity of these lines, and if Francis wrote them in his old age, his point of view must have greatly changed since his earlier days, when he so gaily and gallantly said that a court without ladies was a year without spring and a spring without roses. Francis spent much of his time in his later years at Chambord, his chief solace being the companionship of his lovely sister, Marguerite, Queen of Navarre, the author of the Heptameron, whose beauty and intellect were the inspiration of many French poets.

One of the pleasing sides of the character of the King was his devoted affection for this sister, with whom he had spent a happy youth at Amboise, and she, loving him beyond any other being, wrote verses to express her grief when they were separated. A varied, many-sided, personality was Francis I, and with all his faults possessed of a charm of his own, and a taste in the fine arts that added much to the beauty of his kingdom. Something of this we said to Dame Quickly, who replied, with another wise shake of her head, "The history of Francis is a wonderful history, Mesdames, made up of many things. There is always state policy, and religion, et un peu les femmes," the knowing look and shrug with which this bit of wisdom was communicated is simply untranslatable.

Only a few of the 365 rooms of Chambord are furnished; we were shown the bedroom of the late Comte de Chambord, a ghostly apartment, it seemed to us in the fading daylight, the bed hung with elaborate tapestries, the work of the loyal hands of the ladies of Poitou. Miss Cassandra asked the guide if she would not be afraid to sleep in this dismal chamber. "No," she answered, "there are no revenants here, the great people who lived here do not walk, they had such an active life with their hunting and fêtes that they are content to rest quietly in their beds."

We passed through the council chamber of the château, where there are more tapestries, these presented by the loyal inhabitants of Blois and the Limousin districts, and here also is a quite useless throne donated by some devoted legitimists. In the chapel, we were shown some tapestry worked by Madame Royale, during her imprisonment in the Temple, that daughter of Marie Antoinette who alone survived her unfortunate family and as Duchesse d'Angoulême lived to quite an advanced age.

The fast-fading daylight made it impossible to see many of the portraits in the great reception room; among them we noticed two portraits of Anne of Austria, and a Van Loo of the beautiful unloved Queen of Louis XV, Marie Leczinska. In this picture she appears so graceful and charming that one wonders how the King could have been insensible to her attractions; but one need never be surprised at the vagaries of royalty, and it is not to be expected that diplomatic alliances should be happy.