Our way lay along the sea by the Western Riviera, one of the garden spots of the world. The railroad winds in and out among the rocks, or into tunnels pierced through them, often running parallel with the famous Cornice Drive, which was for many years the only road from Genoa to Nice. The beauty of this drive, which lies sometimes between the railroad and the sea and again ascends the rocky heights beyond, made us wish that railroads had never been invented. A coach and four, a Cinderella coach, would be the only suitable equipage in which to make this journey into fairyland.
"Why did we not drive?" I hear you ask, and you may well ask. Because the railroad, dashing in and out of tunnels, often crosses the drive most unexpectedly and on the grade. Even Zelphine, much as she wished to drive over the self-same road taken by her dear Lucy in "Doctor Antonio," hesitated about imperilling her neck, and I was quite resolute upon this point. And if Zelphine and I were so reckless as to be willing to risk our own lives, have we not under our care the only and well-beloved daughter of the ancient and honorable house of Haldane?
Did I say that the train dashed? Really, that was a slip of the pen—nothing dashes in Italy except a mountain torrent; but where there are so many grade crossings, even a slow train may be dangerous. We proceeded moderately and sedately upon our shining way, skirting the sapphire sea, dotted here and there with green islands. Reaching far out into the blue, one may see small towns which seem bent upon washing their white houses to a more dazzling whiteness in the clear water, painted towns against a painted sea and sky. Other hamlets and villas, with their green jalousies and their luxuriant gardens full of flowers and orange-trees, are on the heights above, and not seldom a solitary sanctuary is seen, perched upon some sea-washed cliff, the cherished guardian of the shore.
Now indeed, looking up at the terraced olive-groves, we feel that we are in Italy. For many miles the road lies beside these gardens, which are monuments to Italian thrift and industry, as every square inch of the scanty earth on the hillsides is held in place by stone walls, one above another, until some are almost mountain high, olive-trees growing to the very top. On the sunny plains between the hills are acres of carnations, violets, stock-gillies, and mignonette, which fill the air with their delicious fragrance. From these immense gardens the large cities are supplied with flowers, and also the manufactories of perfumes. Hundreds of the beautiful blossoms, they tell us, are sacrificed to make a single drop of essence.
We passed by Albenga and Alassio, over the suspension bridge at Porto Maurizio, and so on to Taggia, which is near San Remo, where we three were to part company for a few days. Off to the right we could see the picturesque ruins of Bussana Vecchia, destroyed by an earthquake as late as 1887, never rebuilt, and now standing silent and desolate on the hill-top above its namesake, the little modern town of Bussana Nuova.
Our view of Poggio and Bussana Vecchia was suddenly cut off by an inopportune tunnel, from which we emerged into the brilliant sunshine, to see before us the pretty villas, the waving palms, and the general air of cultivation and bien-être that belong to this favorite and highly favored town. When Zelphine and Angela caught this glimpse of San Remo from the train, and saw Genevra's children waiting for me at the station, I am quite sure they repented them of their decision.
I had not seen Roger and Phœbe since they were babies, but I knew them at once, and we are already fast friends. Genevra's welcome, as you may believe, was of the warmest. It is delightful to be in a home again, after tossing about in a state-room and knocking around in strange hotels, and in a home as charming as this!
February 25th.
Everything is delightfully foreign in this ménage; Genevra lives in an apartment, as most people do here; hers is on the second floor, with a huge salon on one side of the hall, a salle à manger on the other, and the usual complement of bedrooms, kitchens, and the like. This is quite different from anything we have in America, where the apartments are on a scale of princely magnificence, with prices to match, or of a simplicity so extreme that "flat" seems to designate appropriately both them and the condition of those who inhabit them. This apartment is really a house on one floor; the entrance and stone stairway are quite palatial, and yet it is à bon marché. The drawing-room is spacious, with windows to the floor, opening out on balconies on which we step out to see the bersaglieri drill in the evenings, as the children are on the qui vive from the moment the spirited music reaches their ears.
Genevra's large salon is heated by an open fire of olive-wood, which she says makes it warm enough except when the winters are unusually cold. The English ladies who come to tea in the afternoon throw aside their wraps, exclaiming, "Ah, Mrs. Fuller's drawing-room is always so very hot!"