The Comte de Moustier had succeeded Barbé-Marbois as French minister to the United States, and was so addicted to entertaining that he was wont to say that he was “but a tavern-keeper;” adding, facetiously, that “the Americans had the complaisance not to demand his recall.”[14] Of the new ambassador Mr. Madison wrote to Mr. Jefferson, in Paris, “It is with much pleasure I inform you that Moustier begins to make himself acceptable; and with still more that Madame Bréhan begins to be viewed in the light which I hope she merits.” This lady was Anne-Flore Millet, Marquise de Bréhan, a sister of the Comte de Moustier, who assisted him in doing the honors of his house. She is described as a singular, whimsical old woman, who delighted in playing with a negro child and caressing a monkey. With all her eccentricities, she seems to have been possessed of some talent and considerable skill as an artist, as she not only executed several portraits of Washington, but achieved a feat known to few portrait-painters, that of pleasing the sitter himself.

About a week before the Comte de Moustier’s entertainment, the inauguration ball was held, and, if we are to credit contemporaneous gossip, was a very grand and imposing function. Although those were days of stage-coaching and slow travel, a number of visitors from other cities were in New York, as appears from a letter written by Miss Bertha Ingersoll, from the scene of the festivities, to Miss Sallie McKean in Philadelphia.

“We shall remain here,” she writes, “even if we have to sleep in tents, as so many will have to do. Mr. Williamson had promised to engage us rooms at Frauncis’s, but that was jammed long ago, as was every other decent public house, and now while we are waiting at Mrs. Vandervoort’s, in Maiden Lane, till after dinner, two of our beaux are running about town determined to obtain the best places for us to stay at which can be opened for love or money or the most persuasive speeches.”

Mrs. Washington was still at Mount Vernon on the 7th of May, the date of the inauguration ball,[15] consequently the story of a sofa raised some steps above the floor of the ball-room for the accommodation of the President and his wife during the dancing is quite without foundation, as is the equally absurd story of portly Mrs. Knox pushing her way up to this circle and having to descend suddenly from her elevated position because there was no room for her on the platform. Even if there was no dais for the President and his wife, there was no lack of form and ceremony at this Republican entertainment, where the men all wore the small-clothes of the day, which so well became their stately proportions, and where, says Huntingdon, many powdered heads were still to be seen, among men as well as women. The President’s costume on such occasions was a full suit of black velvet, with long black silk stockings, white vest, silver knee- and shoe-buckles, the hair being powdered and gathered together at the back in a black silk bag tied with a bow of black ribbon. He wore a light dress sword, with a richly-ornamented hilt, and often carried in his hand a cocked hat, decorated with the American cockade. The Vice-President, John Adams, wore a full suit of drab, with bag-wig and wrist-ruffles. The gentlemen’s laces seem to have rivalled those of the ladies, although in their costumes rich silks, satins, and brocades had begun to give place to cloth of various colors, as if to forecast the less ornate masculine costume of later date.

“The collection of ladies” at this ball, writes a contemporary, “was numerous and brilliant, and they were dressed with consummate taste and elegance. The number of persons present was upwards of three hundred, and satisfaction, vivacity, and delight beamed from every countenance.” Colonel William Leet Stone, of New York, thus describes one of the costumes: “It was a plain celestial blue satin gown, with a white satin petticoat. On the neck was worn a very large Italian gauze handkerchief, with border stripes of satin. The head-dress was a pouf of satin in the form of a globe, the créneaux or head-piece of which was composed of white satin, having a double wing in large pleats and trimmed with a wreath of artificial roses. The hair was dressed all over in detached curls, four of which in two ranks fell on each side of the neck and were relieved behind by a floating chignon.” We have Colonel Stone’s word for it that this was an attractive costume, although the description does not sound so to modern ears, especially with the heavy head decorations. It appears, however, that the ladies of the first administration had made one important departure, for which thanksgivings should have been devoutly uttered. They had by this time renounced the ungainly head-dress that had reared its pyramid skyward for some years, and which, accompanied as it was with scant drapery about the shoulders and bust, had led some wit of the day to accuse the fair ones of robbing their breasts of gauze, cambric, and muslin for the use of their heads, while another satirist wrote,—

“Give Chloe a bushel of horse-hair and wool,
Of paste and pomatum a pound;
Ten yards of gay ribbon to deck her sweet skull,
And gauze to encompass it round.”

Perhaps some such witticisms as these had led to the change of fashion; or, more likely, a little bird from France had whispered in the ladies’ ears that the mighty pyramid had fallen there. From whatever cause, the structure of hair, flowers, feathers, and jewels no longer reared its imposing pinnacle above the brow of beauty, and many of the Stuart, Malbone, Trumbull, and Copley paintings of women of this period represent the hair dressed low, with curls and bandeaux à la Grecque or rolled moderately high à la Pompadour.

In one of the journals of the day we read that

“On Thursday evening, the subscribers of the Dancing Assembly, gave an elegant Ball and Entertainment. The President of the United States, was pleased to honor the company with his presence—His Excellency the Vice President—most of the members of both Houses of Congress—His Excellency the Governor [Clinton] and a great many other dignified public characters: His Excellency Count de Moustier—His Most Christian Majesty’s Ambassador—The Baron Steuben, and other foreigners of distinction were present, as well as the most beautiful ladies of New York.”[16]

Among these were the Misses Livingston, one of whom married Mr. Ridley, of Baltimore, the Misses Van Horne, “avowed Whigs,” says Graydon, “notwithstanding their civility to the British officers,” and the Misses White, who lived on Wall Street near Broadway, to one of whom was addressed the following epigram by a beau of the period named Brown: