“So you’ve been and seen them big stone houses at last!” said Phillis, as she wheeled my little tea-table up to my easy-chair. “They do make ours look small, don’t they?”
Now this was a very disagreeable view of the subject. Of course, a little house does look smaller than a large one, turn it which way you will; but mine—Whiterose Cottage—was quite large enough for me, and could not be turned in a prettier direction. As we lost sight of the tall, shapeless stone houses, and came first to the graceful elm avenue, and then to—
“Where my cottage-chimney smokes,
Fast between two aged oaks,”
I could not help thinking how snug and suitable for its mistress it looked.
True, it has only one sitting-room, save a little snuggery eight feet by ten; true, it is all built on one floor, and that on the ground: every room in it, but the first and last, opening into a narrow matted passage, or gallery. But to me this seems the very prettiest, most convenient plan, for a single woman with one servant, that could possibly be desired; and my only wonder is, that instead of there not being such another, perhaps, in England, there are not dozens, or hundreds. How many a rich man, now, might run up a little place like this, on some corner of his estate, for a widowed aunt, or old maiden sister or cousin, where she might be as happy as the day is long, and live on next to nothing, quite respectably; and, when she dropped off, like a ripe acorn from the oak, and almost as noiselessly, the “Old Maid’s Home” might revert in perpetuity to a succession of decayed gentlewomen, whose simple, yet genteel tastes would thereby be met by their modest means.
Not that I would have them called old maids’ homes, for that would stamp them at once, like a workhouse woollen waistcoat, or a charity cloth cloak. No; they should be Sweet Homes, or have other such pretty significatives; giving them rank with the best Rose Cottages, Myrtle Cottages, and Laurel Cottages, in the land. They might prettily be called after their fair owners—Julia’s Cottage, Maria’s Cottage, Helen’s Cottage, and so forth. Mine is Whiterose Cottage. It has not an exterior like a long, narrow knife-tray, or candle-box: on the contrary, though its rooms lie parallel, they are not of an uniform width or length; consequently, the walls have what Mary Russell Mitford called “a charming in-and-outness;” and there is not a straight line or “coign of vantage,” that is not draped by some gay or graceful climbing plant—rose, jessamine, lophospermum scandens, morandia Barclayana, ecremocarpus, nasturtium, and callistegia, or Romeo’s ladder.
The dwelling was built by a retired tradesman of good taste, and some originality as well as education. He was a widower, without children, determined to have everything comfortable for his old housekeeper as well as himself—consequently, the kitchen, though small, is as complete in all its appointments, as can possibly be wished; with water laid on, and a little oven in the kitchen-range—in which, as the furnishing ironmonger triumphantly says, you may bake a pie, a pudding, and a pig. Phillis, I believe, enjoys her kitchen quite as much as I do my parlour. Kitchen and parlour stand sentries, as it were, at each end of the house. There is hardly a hall worth speaking of—only a little vestibule built on, that will just hold a mat, a flower-stand, a hall-chair, and an umbrella-stand. Over the threshold, the quaint old man has carved “parva, sed apta,” which, I am sure, is true enough. And on one of the panes of the high lattice-window, with its eight compartments, in the parlour, is written with a diamond ring—
“True happiness is of a retired nature, and an enemy to pomp and noise.”
On another, “Know Thyself.” The good man, though much respected, was accounted rather crotchety—and, perhaps, I am so too; for, certainly, I no sooner saw these little whimseys, than I took a fancy to the place, and was quite thankful to find the rent within my means. It was not till I had taken it, that I remembered (towards night) the possibility of alarms from thieves and sturdy beggars. A kind friend suggested a fierce dog; but, to confess the truth, I am also much afraid of fierce dogs. So then, the same kind friend suggested a kennel without the dog, a man’s hat hung up in the hall, and a large bell—adding, that, with these defences, I must be safe. I trusted I might be so, even without them. So here I am thus far in safety. And often, as I lean back to rest towards sunset, letting harmless fancies have their course, I picture to myself the old recluse, seated, like brave Miles Standish, with his Cæsar’s “Commentaries,” at the lattice, poring over some huge old book—Bunyan’s “Holy War,” suppose—