With all her absurdities Miss Seward had some real critical power and appreciation; and some of her lines are very pretty.[1] An 'Ode to the Sun' is only what might have been expected from this Lichfield Corinne. Her best known productions are an 'Elegy on Captain Cook,' a 'Monody on Major André,' whom she had known from her early youth; and there is a poem, 'Louisa,' of which she herself speaks very highly. But even more than her poetry did she pique herself upon her epistolary correspondence. It must have been well worth while writing letters when they were not only prized by the writer and the recipients, but commented on by their friends in after years. 'Court Dewes, Esq.,' writes, after five years, for copies of Miss Seward's epistles to Miss Rogers and Miss Weston, of which the latter begins:—'Soothing and welcome to me, dear Sophia, is the regret you express for our separation! Pleasant were the weeks we have recently passed together in this ancient and embowered mansion! I had strongly felt the silence and vacancy of the depriving day on which you vanished. How prone are our hearts perversely to quarrel with the friendly coercion of employment at the very instant in which it is clearing the torpid and injurious mists of unavailing melancholy!' Then follows a sprightly attack before which Johnson may have quailed indeed. 'Is the Fe-fa-fum of literature that snuffs afar the fame of his brother authors, and thirsts for its destruction, to be allowed to gallop unmolested over the fields of criticism? A few pebbles from the well-springs of truth and eloquence are all that is wanted to bring the might of his envy low.' This celebrated letter, which may stand as a specimen of the whole six volumes, concludes with the following apostrophe:—'Virtuous friendship, how pure, how sacred are thy delights! Sophia, thy mind is capable of tasting them in all their poignance: against how many of life's incidents may that capacity be considered as a counterpoise!'

There were constant rubs, which are not to be wondered at, between Miss Seward and Dr. Darwin, who, though a poet, was also a singularly witty, downright man, outspoken and humorous. The lady admires his genius, bitterly resents his sarcasms; of his celebrated work, the 'Botanic Garden,' she says, 'It is a string of poetic brilliants, and they are of the first water, but the eye will be apt to want the intersticial black velvet to give effect to their lustre.' In later days, notwithstanding her 'elegant language,' as Mr. Charles Darwin calls it, she said several spiteful things of her old friend, but they seem more prompted by private pique than malice.

If Miss Seward was the Minerva and Dr. Darwin the Jupiter of the Lichfield society, its philosopher was Thomas Day, of whom Miss Seward's description is so good that I cannot help one more quotation:—

'Powder and fine clothes were at that time the appendages of gentlemen; Mr. Day wore not either. He was tall and stooped in the shoulders, full made but not corpulent, and in his meditative and melancholy air a degree of awkwardness and dignity were blended.' She then compares him with his guest, Mr. Edgeworth. 'Less graceful, less amusing, less brilliant than Mr. E., but more highly imaginative, more classical, and a deeper reasoner; strict integrity, energetic friendship, open-handed generosity, and diffusive charity, greatly overbalanced on the side of virtue, the tincture of misanthropic gloom and proud contempt of common life society.' Wright, of Derby, painted a full-length picture of Mr. Day in 1770. 'Mr. Day looks upward enthusiastically, meditating on the contents of a book held in his dropped right hand … a flash of lightning plays in his hair and illuminates the contents of the volume.' 'Dr. Darwin,' adds Miss Seward, 'sat to Mr. Wright about the same period—that was a simply contemplative portrait of the most perfect resemblance.'

III.

Maria must have been three years old this eventful Christmas time when her father, leaving his wife in Berkshire, came to stay with Mr. Day at Lichfield, and first made the acquaintance of Miss Seward and her poetic circle. Mr. Day, who had once already been disappointed in love, and whose romantic scheme of adopting his foundlings and of educating one of them to be his wife, has often been described, had brought one of the maidens to the house he had taken at Lichfield. This was Sabrina, as he had called her. Lucretia, having been found troublesome, had been sent off with a dowry to be apprenticed to a milliner. Sabrina was a charming little girl of thirteen; everybody liked her, especially the friendly ladies at the Palace, who received her with constant kindness, as they did Mr. Day himself and his visitor. What Miss Seward thought of Sabrina's education I do not know. The poor child was to be taught to despise luxury, to ignore fear, to be superior to pain. She appears, however, to have been very fond of her benefactor, but to have constantly provoked him by starting and screaming whenever he fired uncharged pistols at her skirts, or dropped hot melted sealing-wax on her bare arms. She is described as lovely and artless, not fond of books, incapable of understanding scientific problems, or of keeping the imaginary and terrible secrets with which her guardian used to try her nerves. I do not know when it first occurred to him that Honora Sneyd was all that his dreams could have imagined. One day he left Sabrina under many restrictions, and returning unexpectedly found her wearing some garment or handkerchief of which he did not approve, and discarded her on the spot and for ever. Poor Sabrina was evidently not meant to mate and soar with philosophical eagles. After this episode, she too was despatched, to board with an old lady, in peace for a time, let us hope, and in tranquil mediocrity.

Mr. Edgeworth approved of this arrangement; he had never considered that Sabrina was suited to his friend. But being taken in due time to call at the Palace, he was charmed with Miss Seward, and still more by all he saw of Honora; comparing her, alas! in his mind 'with all other women, and secretly acknowledging her superiority.' At first, he says, Miss Seward's brilliance overshadowed Honora, but very soon her merits grew upon the bystanders.

Mr. Edgeworth carefully concealed his feelings except from his host, who was beginning himself to contemplate a marriage with Miss Sneyd. Mr. Day presently proposed formally in writing for the hand of the lovely Honora, and Mr. Edgeworth was to take the packet and to bring back the answer; and being married himself, and out of the running, he appears to have been unselfishly anxious for his friend's success. In the packet Mr. Day had written down the conditions to which he should expect his wife to subscribe. She would have to begin at once by giving up all luxuries, amenities, and intercourse with the world, and promise to continue to seclude herself entirely in his company. Miss Sneyd does not seem to have kept Mr. Edgeworth waiting long while she wrote her answer decidedly saying that she could not admit the unqualified control of a husband over all her actions, nor the necessity for 'seclusion from society to preserve female virtue.' Finding that Honora absolutely refused to change her way of life, Mr. Day went into a fever, for which Dr. Darwin bled him. Nor did he recover until another Miss Sneyd, Elizabeth by name, made her appearance in the Close.

Mr. Edgeworth, who was of a lively and active disposition, had introduced archery among the gentlemen of the neighbourhood, and he describes a fine summer evening's entertainment passed in agreeable sports, followed by dancing and music, in the course of which Honora's sister, Miss Elizabeth, appeared for the first time on the Lichfield scene, and immediately joined in the country dance. There is a vivid description of the two sisters in Mr. Edgeworth's memoirs, of the beautiful and distinguished Honora, loving science, serious, eager, reserved; of the more lovely but less graceful Elizabeth, with less of energy, more of humour and of social gifts than her sister. Elizabeth Sneyd was, says Edgeworth, struck by Day's eloquence, by his unbounded generosity, by his scorn of wealth. His educating a young girl for his wife seemed to her romantic and extraordinary; and she seems to have thought it possible to yield to the evident admiration she had aroused in him. But, whether in fun or in seriousness, she represented to him that he could not with justice decry accomplishments and graces that he had not acquired. She wished him to go abroad for a time to study to perfect himself in all that was wanting; on her own part she promised not to go to Bath, London, or any public place of amusement until his return, and to read certain books which he recommended.

Meanwhile Mr. Edgeworth had made no secret of his own feeling for Honora to Mr. Day, 'who with all the eloquence of virtue and of friendship' urged him to fly, to accompany him abroad, and to shun dangers he could not hope to overcome. Edgeworth consented to this proposal, and the two friends started for Paris, visiting Rousseau on their way. They spent the winter at Lyons, as it was a place where excellent masters of all sorts were to be found; and here Mr. Day, with excess of zeal—