'I thought it might interest you,' said Robert, slightly huffed, 'since you appear to be so little acquainted with St. Paul's. It is very fine, of course; but I myself have the bad taste to prefer Gothic architecture; it is far more suitable to our church. There is something painfully—how shall I express it?—paganish about these capitals and pilasters.'

'But that is just what I mean,' said Dolly, looking him full in the face. 'Think of the beautiful old thoughts of the Pagans helping to pile up a Cathedral here now. Don't you think,' she said, hesitating, and blushing at her own boldness, 'that it is like a voice from a long way off coming and harmonising now with ours? Robert, imagine building a curve that will make some one happy thousands of years afterwards....'

'I am glad it makes you happy, my dear Dorothea. I tell you I have the bad taste not to admire St. Paul's,' Robert repeated; 'but here is the rain, we had better make haste.'

They had come to an opening in the iron railings by this time, and Robert led the way—a stately figure—climbing the long flight of weather-worn steps that go circling to the peristyle. Dolly followed slowly: as she ascended, the lights seemed to uprise, the columns to stand out more boldly.

'Come in,' Robert said, lifting up the heavy leather curtain.

Dolly gave one look at the city at her feet, flashing with the many lights and shadows of the impending storm, and then she followed him into the great Cathedral.

They were late. The evening service was already begun, and a voice was chanting and ringing from column to column. 'Rejoice in the Lord alway,' it sang, 'and again I say, again I say unto you, rejoice! rejoice!' A number of people were standing round a grating, listening to the voice, but an old verger, pleased with the looks of the two young people, beckoned to them and showed them up a narrow stair into a little oaken gallery, whence they could look down upon the echoing voice and the great crowd of people listening to it; many lights were burning, for it was already dark within the building. Here a light fell, there the shadow threw some curve into sudden relief; the rolling mist that hung beyond the distant aisles and over the heads seemed like a veil, and added to the mystery. The music, the fire, the arches overhead, made Dolly's heart throb. The Cathedral itself seemed like a great holy heart beating in the midst of the city. Once, when Dolly was a child in the green ditch, her heart had overflowed with happiness and gratitude; here she was a woman, and the future had not failed her—here were love and faith to make her life complete—all the vibration of fire and music, and the flow of harmonious lines, to express what was beyond words.

'Oh! Robert, what have we done to be so happy?' she whispered, when the service was over and they were coming away in the crowd. 'It almost frightens me,' the girl said.

Robert did not hear her at first; he was looking over the people's heads, for the clouds had come down, and the rain was falling heavily.

'Frighten you,' said Robert presently, opening his umbrella; 'take my arm, Dolly; what is there to frighten you? I don't suppose we are any happier than other people under the same circumstances. Come this way; let us get out of the crowd.'