What would he have thought if he could have seen her safe in her own room, with the sovereigns spread out upon the bed and the bank-notes, while the poor soul stood eagerly counting over her store. Yes, she loved money, but there were things she loved still more. Sarah Francis, alone in the world, might have been a miser if she had not loved Dolly so dearly—Dolly, who was Stan's daughter. There was always just this difference between Lady Sarah and open-handed people. With them money means little—a moment's weakness, a passing interest. With Lady Sarah to give was doubt, not pleasure; it meant disorder in her balanced schemes; it meant truest self-denial: to give was to bestow on others what she meant for Dolly's future ease and happiness; and yet she gave.


CHAPTER XII.

DOROTHEA BY FIRELIGHT.

The waunut logs shot sparkles out
Towards the pootiest, bless her,
An' leetle fires danced all about
The chiny on the dresser;
The very room, coz she was in,
Looked warm from floor to ceilin'.

—Lowell.

Lady Sarah had left Raban to go into the drawing-room alone. It was all very strange, he thought, and more and more like a crazy dream. He found himself in a long room of the colour of firelight, with faded hangings, sweeping mysteriously from the narrow windows, with some old chandeliers swinging from the shadows. It seemed to him, though he could not clearly see them, that there were ghosts sitting on the chairs, denizens of the kingdom of mystery, and that there was a vague flit and consternation in the darkness at the farther end of the room, when through the opening door the gleam of the lantern, which by this time was travelling upstairs, sped on with a long slanting flash. For a moment he thought the place was empty; the atmosphere was very warm and still; the firelight blazed comfortably; a coal started from the grate, then came a breath, a long, low, sleepy breath from a far-away corner. Was this a ghost? And then, as his eyes got accustomed, he saw that the girl who had let him in sat crouching by the fire. Her face was turned away; the light fell upon her throat and the harmonious lines of her figure. Raban, looking at her, thought of one of Lionardo's figures in the Louvre. But this was finer than a Lionardo. What is it in some attitudes that is so still, and yet that thrills with a coming movement of life and action? It is life, not inanimately resting, but suspended from motion as we see it in the old Greek art. That flying change from the now to the future is a wonder sometimes written in stone; it belongs to the greatest creations of genius as well as to the living statues and pictures among which we live.

So Dolly, unconscious, was a work of art, as she warmed her hands at the fire: her long draperies were heaped round about her, her hair caught the light and burnt like gold. If Miss Vanborough had been a conscious work of art she might have remained in her pretty attitude, but being a girl of sixteen, simple and somewhat brusque in manners, utterly ignoring the opinions of others, she started up and came to meet Raban, advancing quick through the dimness and the familiar labyrinth of chairs.

'Hush—sh!' she said, pointing to a white heap in a further corner, 'Rhoda is asleep; she has been ill, and we have brought her here to nurse.' Then she went back in the same quick silence, brought a light from the table, and beckoning to him to follow her, led the way to the very darkest and shadiest end of the long drawing-room, where the ghosts had been flitting before them. There was a tall oak chair, in which she established herself. There was an old cabinet and a sofa, and a faded Italian shield of looking-glass, reflecting waves of brown and reddish light. Again Dolly motioned. Raban was to sit down there on the sofa opposite.

Since he had come into the house he had done little but obey the orders he had received. He was amused and not a little mystified by this young heroine's silent imperious manners. He did not admire them, and yet he could not help watching her, half in wonder, half in admiration of her beauty. She, as I have said, did not think of speculating upon the impression she had created: she had other business on hand.