"'So that's the clock!'"
"So that's the clock! Well, it's a big one, surely—almost as wide as the street, although candor compels us to own that the street is about the narrowest ever. All right, I'm done; a clock is a clock, and one look in its face always tells me all I want to know. Come on; we can't stand dilly-dallying if we're to get through Rouen to-day, and I must say I consider a day to a town as quite enough in Europe. I know, when I was young and traveled for wholesale shoes, I used often and often to do three towns a day and never turn a hair. I tell you, Bob, when I was—
"Is that the fountain? Hold on; we want to see that! The guide-book has it in italics. I don't see anything to underline, though; looks foreign to me. Come on; we've got to be getting somewhere, or I shall feel I was a fool to stop off at Rouen. Not that I'm not glad to have met you again, Bob; but that could have happened anywhere else just as well, you know. When did you come over? Last year! Great Scott, what are you staying so long for? I bet I get enough in six weeks; I feel as if I'd got pretty close to enough now. Not that time ever hangs heavy on my hands, you know. No, not by a long shot. I'm the kind of man that can always amuse himself. Give me a fair show,—off a ship, of course,—and I'll defy any one to get on better. Take the day we landed, for instance, there in Havre,—rainy, not a thing to do, and every one else off for Paris. You might have looked for me to be a little disgusted, naturally; but not a bit of it. The day went like the wind. We landed at noon, I slept all the afternoon, and in the evening I took a bath. I tell you, Bob, a fellow with brains can get on anywhere. I never know what it is to feel bored.
"What's our Goddess of Liberty doing up there? What's that Indian beadwork around her feet for? Who? You don't mean to tell me that's Joan of Arc? Well, all I can say is, I never imagined her like that. But what are the beads? French funeral wreaths! Great Scott! do they keep Charlemagne wreathed, too, or is five hundred years the bead-wreath limit? Pretty idea, to put up a fountain where they burnt her—keep her memory damp at all events, eh? What's the moral of her train turning into a dolphin? Just to bring the mind gradually down to the level of the fact that it is a fountain, after all, I suppose.
"She wasn't burnt here, anyhow, the book said. The book said she was burnt farther over. Smart people here—have two places where she was burnt, so people must trot through the whole market if they try to be conscientious. Look at that woman, with her bouquet of live chickens—novel effect in chickens, eh, Bob? Strikes me it was an enterprising idea to burn Joan in the market, anyhow—good business for the market. Folks come to see the statue, and incidentally buy some peanuts.
"Well, where can we go now? I say to set out and have a look at the tower where she was imprisoned. Pulled down! It isn't, either; it's starred in the book. What's that? This tower named for her, and hers pulled down! Well, there's French honor for you again. What do you think of Sibbilly now, Edna? I don't want to see the tower if it ain't the real one. I want to see the bas-reliefs of the Field of the Cloth of Gold, and then I want to go back to the hotel to lunch. I tell you, this sight-seeing is a great appetizer. The more old ruins and burnings I look over, the hungrier I get.
"Is this the place? Makes me think of a sort of glorified gate to a woodyard. What is it, now? Well, ask somebody! A bank, eh? Are those the famous bas-reliefs? Those! Them! Well, well, I must say the touring public is easy game. They're all worn off. What's the tin overhead for? To keep the rain from damaging them, eh? Pretty bit of sarcasm, eh, Bob? Great pity they didn't think to put it four or five hundred years sooner. I don't see a man with a head or a horse with a leg from here. It lacks character, to my idea. Let's go home. Come on. I've racked around Rouen all I care to for one day."