They were silent some moments.
"Do you know what grieves me most in this my task?" He pointed to the picture. "I cannot find in my mind a thought of what our child was like. I would I could thus complete my subject. But all is a blank!" He pointed to the infant, of which there was but an outline; indeed, all but the Madonna's face was this only, for he had not long commenced the picture, which had been one ordered some time previously.
A sudden thought struck Skaife.
"I was visiting in a house, yesterday," he said, "and there was struck by the unearthly beauty of a boy I saw in the arms of the concièrge. I asked to whom it belonged, and was told, to a poor woman residing in the house. I make no doubt I could induce them to bring the child to you—it is the loveliest I ever saw."
"Thank you, Skaife," he answered sadly; "but I do not think any child could give me the faintest idea of what hers must have been; it must have had a look of more than mortal sorrow on its young face, born in so much woe and care. I will try and dream what it could have been; nothing living can even pourtray it."
Skaife said no more on the subject; but, leaving shortly afterwards, hastened to Minnie, and with thankfulness of joy, watched the calm beam of hope in her eye, when he told her all that had passed between them. Skaife urged her to allow him, by degrees, to break the truth to her sorrowing husband; but there was still on her memory, unobliterated, the recollection of his words to her cousin, which nothing could efface, but proof to the contrary. One thing, however, they arranged, and Monsieur d'Estrées was the person chosen to carry out the scheme—namely, to take little Miles, or William as he was called, to his father's studio. The child had become so accustomed to the old man during Minnie's illness, that he would go any where unfearingly with him. We should vainly attempt to depict the mother's feelings, when she saw her boy next day departing under the care of her two sincere friends, to see his father for the first time. Thrice she called them back in mother's pride to arrange some curl on the noble brow, or again kiss the cheek, where perhaps his lip might be pressed. There was something hallowing in the thought to her beautiful mind, that their child should be the medium of communication between them, though to him unknown. Skaife had previously written to apprise Tremenhere, that at that hour he should call; and when he entered, and after a few moments, by way of prefacing the visit, mentioned he had asked a friend of the mother's, who often nursed the child in her absence, to call with him. Tremenhere coolly thanked him; at the same time expressing his firm conviction, that it could not answer his views or exalted ideas of what it should be. When d'Estrées entered as Monsieur Georges, and the boy with a quiet, contemplative air, most uncommon in one so young, looked in childish questioning at the tall, dark, strange man, Tremenhere stood transfixed. It was not that a look of the mother shook his heart—it was not the thought, that of such an age would his own be, were it living. No, it was the artist's realized dream—such a dream as inspiration might have given him. A child born in so much sorrow could not look as others would; every beautiful lineament was grave as of early woe, if so young a heart might feel it; but yet this was more—it was a soul's sorrow implanted by a mother's cares, watered by her tears, on the boy's countenance. Tremenhere looked at him, then at the old man—a memory crossed his imagination.
"Surely I have seen you before," he cried, gazing earnestly at d'Estrées.
"I think not, monsieur," said the other; but his voice trembled, for he, too, remembered him, and then he so ably recalled his father and d'Estrées's best friend to his mind; "for I am an old man, seldom leaving home." He spoke in French.
"Strange—strange!" he replied in thought; "you seem very familiar to me."
"And the boy?" asked Skaife; "is he not all I promised you?"