The third act is that of the statesman, the wise, politic, and intellectual actor on the world's stage of history, the guiding force of the nation by His wondrous policy and intelligence, standing forth not as king but rather as statesman.

Then we have Him as friend, the human friend, especially of the Pâṇḍavas and of Arjuna.

The next act is that of Shrî Kṛiṣhṇa as Teacher, the world-teacher, not the teacher of one race alone.

Then we see Him in the strange and wondrous aspect of the Searcher of the hearts of men, the trier and tester of human nature.

Finally, we may regard Him in His manifestation as the Supreme, the all-pervading life of the universe, who looks on nothing as outside Himself, who embraces in His arms evil and good, darkness and light, nothing alien to Himself.

Into these seven acts, as it were, the life-history may be divided, and each of them might serve as the study of a life-time instead of our compressing them into the lecture of a morning. We will, however, take them in turn, however inadequately; for the hints I give can be worked out by you in detail according to the constitution of your own minds. One aspect will attract one man, another aspect will attract another; all the aspects are worthy of study, all are provocative of devotion. But most of all, with regard to devotion, is the earliest stage of His life inspiring and full of benediction, those early years of the Lord as infant, as child, as young boy, when He is dwelling in Vraja, in the forest of Brindâban, when He is living with the cowherds and their wives and their children, the marvellous child who stole the hearts of men. It is noticeable—and if it had been remembered many a blasphemy would not have been uttered—that Shrî Kṛiṣhṇa chose to show Himself as the great object of devotion, as the lover of the devotee, in the form of a child, not in that of a man.

Come then with me to the time of His birth, remembering that before that birth took place upon earth, the deities had been to Viṣhṇu in the higher regions, and had asked Him to interfere in order that earth might be lightened of her load, that the oppression of the incarnate Daityas might be stayed; and then Viṣhṇu said to the Gods: Go ye and incarnate yourselves in portions among men, go ye and take birth amid humanity. Great Ṛishis also took birth in the place where Viṣhṇu Himself was to be born, so that ere He came, the surroundings of the drama were, as it were, made in the place of His coming, and those that we speak of as the cowherds of Vraja, Nanda and those around Him, the Gopîs and all the inhabitants of that wondrously blessed spot, were, we are told, "God-like persons"; nay more, they were "the Protectors of the worlds" who were born as men for the progress of the world. But that means that the Gods themselves had come down and taken birth as men; and when you think of all that took place throughout the wonderful childhood of the Lîlâ[10] of Shrî Kṛiṣhṇa, you must remember that those who played that act of the drama were the ordinary men, no ordinary women; they were the Protectors of the worlds incarnated as cowherds round Him. And the Gopîs, the graceful wives of the shepherds, they were the Ṛishis of ancient days, who by devotion to Viṣhṇu had gained the blessing of being incarnated as Gopîs, in order that they might surround His childhood, and pour out their love at the tiny feet of the boy they saw as boy, of the God they worshipped as supreme.

[10] Play.

When all these preparations were made for the coming of the child, the child was born. I am not dwelling on all the well-known incidents that surrounded His birth, the prophecy that the destroyer of Kamsa was to be born, the futile shutting up in the dungeon, the chaining with irons, and all the other follies with which the earthly tyrant strove to make impossible of accomplishment the decree of the Supreme. You all know how his plans came to nothing, as the mounds of sand raised by the hands of children are swept into a level plain when one wave of the sea ripples over the playground of the child. He was born, born in His four-armed form, shining out for the moment in the dungeon, which before His birth had been irradiated by Him through His mother's body, who was said to be like an alabaster vase—so pure was she—with a flame within it. For the Lord Shrî Kṛiṣhṇa was within her womb, herself the alabaster vase which was as a lamp containing Him, the world's light, so that the glory illuminated the darkness of the dungeon where she lay. At His birth he came as Viṣhṇu, for the moment showing Himself with all the signs of the Deity on Him, with the discus, with the conch, with the shrivatsa on His breast, with all the recognised emblems of the Lord. But that form quickly vanished, and only the human child lay before His parents' eyes. And the father, you remember, taking Him up, passed through the great locked doors and all the rest of it, and carried Him in safety into his brother's house, where He was to dwell in the place prepared for His coming.

As a babe He showed forth the power that was in Him, as we shall see, when we come, to the second stage, the destroyer of the forces of evil. But for the moment only watch Him as He plays in his foster mother's house, as He gambols with children of His own age. And as He is growing into a boy, able to go alone, He begins wandering through the fields and through the forest, and the notes of His wondrous flute are heard in all the groves and over all the plains. The child, a child of five—only five years of age when He wandered with His magic flute in His hands, charming the hearts of all that heard; so that the boys left tending the cattle and followed the music of the flute; the women left their household tasks and followed where the flute was playing; the men ceased their labours that they might feast their ears on the music of the flute. Nay, not only the men, the women and the children, but the cows, it is said, stopped their grazing to listen as the notes fell on their ears, and the calves ceased suckling as the music came to them on the wind, and the river rippled up that it might hear the better, and the trees bowed down their branches that they might not lose a note, and the birds no longer sang lest their music should make discord in the melody, as the wondrous child wandered over the country, and the music of heaven flowed from His magic flute.