In such sympathy, Miss Buss certainly well earned the right to the exaltation expressed in a postscript to a letter on “guild” work to Mr. Garrod, when she says, apropos of the recent success of Miss Philippa Fawcett at Cambridge, “Thank God, we have abolished sex in education!”
There are some amusing little touches of the purely feminine in connection with these first academic gowns and hoods, which were presented by the staff to its first graduates at a fancy-dress ball given by Miss Buss in honour of the occasion. The hoods were made among themselves, the pattern being taken from that of Sir Philip Magnus, in the intervals of his inspection of the school. Mrs. Bryant cut them out, and the pieces left over of the yellow and brown silk are still in the drawer where thrifty housewives keep their pieces.
It may be imagined that no small excitement prevailed among the girl-graduates about the first public appearance at Burlington House in the full dress. On the first occasion of the presentation of degrees to women, the shy counsel prevailed, and the ladies went up in their usual garb. The next step is thus described by Mrs. Bryant—
“But the following year we called a meeting to settle among ourselves, if possible unanimously, the course to be pursued. I confess I resented the idea of being denied my academicals as much as I have thought it hard to appear as a number only in the Senior Cambridge lists years before. There was much hesitation on the part of several, however, but in the end I was instructed to write to the Registrar enclosing our resolution to wear the academic dress if no objection to this course was made by the senate. There was no lack of comedy in the situation—consulting a body of staid and serious gentlemen as to whether we should or should not wear the robes to which we were entitled by the University regulations. However, it was necessary to allay all doubt, and the message from the senate received in reply settled the question for that time and henceforth. We have often smiled over these little incidents, seeing what universal approval was at once won for our ‘gowns and hoods.’ And at school, on festive days, when these are worn, the poor Cambridge graduates—graduates in all but name—grieve because they have no such symbol with which to deck—it does not veil—their femininity.”
It may not be out of place here to give some extracts from letters to Miss Buss from Mrs. William Grey which show how needlework is regarded by the leading educationalists. Speaking of the Maria Grey Training School (in connection with the College), Mrs. Grey writes—
“Rome, Nov. 27, 1880.
“I also wish to give a yearly prize of £2 to the school for two subjects. You have suggested Botany and Needlework. But as I know nothing of botany, and have always said that needlework should be taught at home to girls above the elementary school class, I should prefer English or French. If, however, you have a special reason for wishing for a Botany prize, I will at once agree to that instead of the French.”
“Hôtel du Louvre, Rome, Jan. 7, 1882.
“Your pleasant and affectionate letter reached me some days ago. The kind feeling you express warms one’s heart, at this distance from home, when one feels very acutely too often that one has drifted away from all who know, or care, or are cared for. One’s life feels so useless, and the current of life seems so strong in England that those who can no longer go on with it have a sense of isolation which kind words like yours break in upon most soothingly.
“I wanted to tell you that you have nearly, if not quite, converted me to the needlework in schools to which I have always been opposed on our council—not from any want of realizing the importance of the art, but because it is one that ought to be taught at home. I was a great worker till a few years ago. In all our young days we made everything we wore, and I was so fond of embroidery that I scarcely trusted myself to look at it in the morning, lest I should be tempted to waste my time upon it. I tell you this that you may see how little likely I am to undervalue the art; and if mothers are so foolish or so ignorant as not to teach it, then, sooner than leave it untaught, I acknowledge that we ought to take it up.