The editor looked up threateningly, and went back to his work again without a word.
"No, but really—it's quite in your line. Listen."
Lucyet had moved forward a step or two, when she stood motionless. The words that floated through the window were her own. Richards had an unusually sweet voice, and he was reading in a way entirely different from that in which he had rattled off the "personals." There seemed a new sweetness in every syllable; the warmth of the hillside, the perfume of opening apple blossoms, breathed between the lines. He read slowly, and the words fell on the still air that seemed waiting breathless to hear them. When he finished, Lucyet was leaning against the side of the house, her hand on her heart, her eyes shining,—and the editor was looking at the reader.
"There," he concluded, "ain't there something of the 'blackbird's tune and the beanflower's boon' in that?"
"Copied, of course?" inquired the editor, briefly.
"No. 'Written for the Daily Chronicle,' and signed 'L.' Not bad, are they? Of course I don't know," Richards scoffed, "and the public wouldn't know if it read them, but you know—"
"Read 'em again."
A second time, with increased expression, half mischievous now in its fervor, the lines on Spring fell in musical tones from Richards's lips. Still Lucyet stood breathless, her whole being thrilled with an impulse of exultant, inexpressible delight, listening as she had never listened before. It was as if she stood in the midst of a shining mist.
"She's got it in her, hasn't she?" Richards added, after a pause.
"Yes," said his companion, slowly. "She's got it in her fast enough;" and he returned to his page of manuscript. "Much good may it do her!" he added, with weary cynicism.