New Friends and the Green Stairs
The town filled up with artists earlier than usual that summer. Stable lofts and old boathouses along the shore blossomed into studios. Sketching classes met in the rooms of the big summer art schools which made the Cape end famous, or set up their models down by the wharfs. One ran into easels pitched in the most public places: on busy street corners, on the steps of the souvenir shops and even in front of the town hall. People in paint-besmeared smocks, loaded with canvases, sketching stools and palettes, filled the board-walk and overflowed into the middle of the street.
The _Dorothy Bradford_ steamed up to the wharf from Boston with her daily load of excursionists, and the “accommodation” busses began to ply up and down the three miles of narrow street with its restless tide of summer visitors.
Up along, through the thick of it one June morning, came the Towncrier, a picturesque figure in his short blue jacket and wide seaman’s trousers, a red bandanna knotted around his throat and a wide-rimmed straw hat on the back of his head.
“Notice!” he cried, after each vigorous ringing of his big brass bell. “Lost, between Mayflower Heights and the Gray Inn, a black leather bill-case with important papers.”
He made slow progress, for someone stopped him at almost every rod with a word of greeting, and he stopped to pat every dog which thrust a friendly nose into his hand in passing. Several times strangers stepped up to him to inquire into his affairs as if he were some ancient historical personage come to life. Once he heard a man say:
“Quick with your kodak, Ethel. Catch the Towncrier as he comes along. They say there’s only one other place in the whole United States that has one. You can’t afford to miss anything _this_ quaint.”
It was nearly noon when he came towards the end of the beach. He walked still more slowly here, for many cottages had been opened for summer residents since the last time he passed along, and he knew some of the owners. He noticed that the loft above a boat-house which had once been the studio of a famous painter of marine scenes was again in use. He wondered who had taken it. Almost across from it was the “Green Stairs” where Georgina always came to meet him if she were outdoors and heard his bell.
The “Green Stairs” was the name she had given to a long flight of wooden steps with a railing on each side, leading from the sidewalk up a steep embankment to the bungalow on top. It was a wide-spreading bungalow with as many windows looking out to sea as a lighthouse, and had had an especial interest for Georgina, since she heard someone say that its owner, Mr. Milford, was an old bachelor who lived by himself. She used to wonder when she was younger if “all the bread and cheese he got he kept upon a shelf.” Once she asked Barbara why he didn’t “go to London to get him a wife,” and was told probably because he had so many guests that there wasn’t time. Interesting people were always coming and going about the house; men famous for things they had done or written or painted.
Now as the Towncrier came nearer, he saw Georgina skipping along toward him with her jumping rope. She was bare-headed, her pink dress fluttering in the salt breeze, her curls blowing back from her glowing little face. He would have hastened his steps to meet her, but his honest soul always demanded a certain amount of service from himself for the dollar paid him for each trip of this kind. So he went on at his customary gait, stopping at the usual intervals to ring his bell and call his news.