When we ploughed through the sand to the fringe of bayberry bushes and wild beach plums that was our landmark, we found that the last storm had undone the work of that first one. It had scooped out the sand and left a hollow as it used to be years ago. Even then we hadn't any thought of really finding the money, but Captain Kidd was along, and just to give him some excitement Richard called "Rats!"
That started him to digging frantically, and the first thing that flew out from under his paws was one of the pieces of broken crock which we had used as a marker. Then we tried him in other places, poking around ourselves with sticks, and presently he gave a short bark and stopped digging, to nose something else he had unearthed. It actually was the old baking-powder can. It was almost eaten up with rust, and the names and date we had scratched on it were almost illegible. But everything inside was intact.
I watched Richard's face as he unrolled layer after layer of tin foil that was wrapped around the pouch, and thought again how nice it was that I shared his memories. I could understand the smile that curved his lips, for I knew the scenes that tin foil brought back to him. He had been weeks saving it.
"Off Dad's tobacco," was all he said. But more than once I had climbed the Green Stairs up the cliff to the bungalow in time to see the laughing scuffle which invariably took place before it was handed over to him. They had been rare play-fellows, he and his father.
In the pouch was the letter, the black rubber ring, the handful of change. "We'll pass all that over to Dan," I said, "but the gold we'll divide and gloat over."
But Richard insisted that it shouldn't be divided. He wanted to take it down to the Arts and Crafts shop and have it made into a ring for me. Just a little circle, that I could wear as a guard for the other one. I wanted half of it made into some token for him "to have and to hold" but we couldn't think of anything suitable. He wouldn't wear a ring himself, and there wasn't time to make a locket. There's so little that a soldier going abroad can carry with him.
It was the artist who does the lovely jewel work at the Shop who settled the question. We had to take her partly into our confidence in order to show her how necessary it was to have the keepsake done before Richard's departure. She was dear about it, and so thrilled with the romance of the affair that she said she'd sit up all night if necessary to finish it. Yes, she understood perfectly, she said. She would melt the two gold pieces together, and out of part would fashion the ring, just a little twist of a lover's knot, and out of the rest—well, why not an identification tag? The gentleman would have to wear one anyhow, and, being an officer could have it of gold if he wished.
Richard liked the idea immensely, but it gave me a gruesome feeling at first. There would be no need of identification tags, were it not that possible death and wounds and capture face every man who wears one. Besides it seemed such a cold-blooded sort of token to give to one's best beloved, just starting off to the Field of Honor. About as romantic as a trunk check.
But suddenly I thought of something which made me agree instantly. There was a name which I could have engraved upon the reverse side, which would make the little tag seem almost like a decoration, in commemoration of a noble deed. I managed to write it down and slip it to the artist without Richard's seeing it.
Now whenever he looks at it he will remember it is the name I call him in my heart of hearts. He will know that I think of him as my true knight, as worthy of a royal accolade as any of those who fared forth in Arthur's time to redress the wrongs of the world. He is my "Sir Gareth."