"Oh, Mrs. Blythe!" interrupted Mary, aghast. "I couldn't! I couldn't possibly! There's not a moment to prepare for it!"

"But you must," was the answer in a tone so firm and compelling that it brooked no denial.

"There's no other way out—you know every phase of the situation. You've explained it over and over in your letters and to small audiences. Your sympathies have just been worked up to white heat by Dena's accident— Oh, you're splendidly prepared, and you can't fail me now, Mary. Not at a time like this!"

Her voice broke and the tears came into her eyes, at which sight Mary drew one deep breath and surrendered.

"Well—I'll do the best I can," she promised, "but I've barely time to get there."

With one squeeze of the hands which she had caught in hers, Mrs. Blythe released her, saying gratefully, "Oh, I knew you wouldn't fail me! Go—and Godspeed!"

Breathless, speechless, Mary found herself climbing into the automobile, with a dazed feeling, as if some one had sounded an alarm of fire and she was blindly fumbling her way through smoke. In a vague way she was conscious that she was facing one of the big moments of her life, and she wondered why, when she needed to centre all her thoughts on the ordeal that confronted her, they should slip backward to a trivial thing that had happened years ago at Lloydsboro Valley.

It was at the tableau at The Beeches, when the curtain was rising on the scene of Elaine the Lily Maid, lying on her funeral barge, in her right hand the lily, in her left the letter. Miss Casey, the reader, had lost her copy of the poem, and everything was going wrong because there was no one to explain the tableau, and Mary sprang to the rescue. She could hear her own voice ringing out, beginning the story: "And that day there was dole in Astalot!" And she could feel the Little Colonel's arms around her afterward, as she cried, "You were a perfect darling to save the day that way." And Phil had come up and called her a brick and the heroine of the evening. Now she wondered why that scene in detail should come back so vividly, until something seemed to tell her she was to take it as a sort of prophecy that she was to be as successful in her second rising to meet an emergency as she was in her first.

When she entered the side door of the hall, the speaker whose place on the programme immediately preceded Mrs. Blythe's had just taken his seat in the midst of hearty applause, and the orchestra had begun a short selection. In the shelter of some large palms at the side of the stage she gave the chairman Mrs. Blythe's message, and sat down to wait. The orchestra sounded as if it were miles away. She had often used the expression, a sea of faces. As she looked across the expanse of those upturned before her now, they seemed indeed a sea, and took on a wave-like motion that made her dizzy. Then she happened to glance down at the little signet ring she always wore. "By the bloodstone on her finger" she must fail not in proving that undaunted courage was the jewel of her soul.

When she looked out again, through the screen of palms, she could distinguish individual faces in the great mass. There was Judge Brown and Senator Ripley and Doctor Haverhill. And down in front, at the reporters' table, was Orphant Annie. She couldn't help smiling as she anticipated his surprise when he should see her taking Mrs. Blythe's place. He was so close that he had already caught sight of her, and his pale, prominent eyes were gazing at her with a solemn, quizzical expression which made her smile. The thought of the surprise in store for him steadied her nerves, and as she began to enjoy the humor of the situation, gradually the loud knocking at her heart quieted. The buzzing in her ears stopped. Her icy cold hands, which she had been holding clenched, relaxed and grew warm again, and she came consciously out of what seemed to be a waking dream.