"Do stop yoah prancing and dancing and tell us," demanded Lloyd, "or we'll think that you've lost yoah mind."
Joyce sank down beside her on the door-step. Her face was shining with a great gladness, and she could hardly find breath to begin.
"Oh, there aren't words good enough to tell it in!" she gasped.
"Mr. Armond is an artist, mother, a really great one, who has had pictures hung in the Salon and the Academy. Mr. Ellestad walked part of the way home with me, and told me about him. He studied for years in Paris, and lived in the Latin Quarter, and had a studio there, just like Cousin Kate's friend, Mr. Harvey. And that's the man Mr. Armond looks like," she added, triumphantly. "I've been trying to think ever since I first met him, who I had seen before with a short Vandyke beard like his, and long, alive-looking fingers, that seem to have brains of their own."
"And that's what makes you so glad," laughed Lloyd, "to think you've discovered the resemblance? Do get to the point. I'm wild to know."
"Well, he liked my work, thought it showed originality and promise, and, if mamma is willing, he wants to give me lessons. Think of that, Lloyd Sherman,—lessons from an artist, a really great artist like that! Why, it would mean more for me than years of class instruction in the Art League, or anywhere else. He seemed pleased when I told him that I wanted to do illustrating, because he said that that was something practical, and work that would find a ready market. He told me so many interesting things about famous illustrators that he has known, that I have come away all on fire to begin. My fingers fairly tingle. Oh, mamma!" she cried, two great happy tears welling up into her eyes. "Isn't it splendid? The story of Shapur is true! For me the desert holds a greater opportunity than kings' houses could offer!"
"But the price, my dear little girl—"
"And that's the best of it," interrupted Joyce. "He asked to be allowed to do it for nothing. Time hangs so heavily on his hands that he said it would be a charity to give him something to do, and Mr. Ellestad told me afterward, as we walked home, that I ought to let him, because it's the first thing that he has taken any interest in for months; that with something to occupy his mind and make him contented, he would get better much faster.
"When I tried to thank him, and told him that he had showed me a better way to the City of my Desire than the one I had planned for myself, he said, with the brightest kind of a smile, 'I expect to get far more out of this arrangement than you, my little girl. You are the alchemist whose courage and hope shall help me distil some drop of Contentment out of this dreary existence.'
"He is going to drive up here to-morrow, to ask you about it, and to see the work I have already done. I'm glad now that I saved all those charcoal sketches of block hands and ears and things. And I'm going to get out all those still life studies I did with Miss Brown, and pin them up on the wall, so he'll know just how far I've gone, and where to start in with me."