The bare, unpainted little church had just been lighted when they arrived, and a strong smell of coal-oil and smoking wicks greeted them.

"It's too bad we are so early," said Miss Allison. "Sylvia would have preferred us to come in with grand effect at the last moment, but I'm too tired to wait for the bridal party. Let's put our lanterns in the vestibule and go in and find seats."

A pompous mulatto man in white cotton gloves and with a cluster of tuberoses in his buttonhole ushered the party down the aisle to the seats of honor reserved for the white folks. There were seventeen in the party, too many to sit comfortably on the two benches, so a chair was brought for Miss Allison. After the grown people were seated, each of the little girls managed to squeeze in at the end of the seats nearest the aisle. Lloyd found herself seated between Mary Ware and Alex Shelby. Leaning forward to look along the bench, she found that Bernice came next in order to Alex, then Lieutenant Stanley and Allison, Doctor Bradford and Betty.

She had merely said good evening to Alex Shelby when they met at The Beeches, and, although positions in the procession through the woods had shifted constantly, it had happened she had not been near enough to talk with him. Now, with only Mary Ware to claim her attention, they naturally fell into conversation. It was only in whispers, for the audience was assembling rapidly, and the usher had opened the organ in token that the service was about to begin.

There had been an attempt to decorate for the occasion. Friends of the bride had resurrected both the Christmas and Easter mottoes, so that the wall behind the pulpit bore in tall, white cotton letters, on a background of cedar, the words, "Peace on Earth, Good Will to Men." Fresh cedar had been substituted for the yellowed branches left over from the previous Christmas, and fresh diamond dust sprinkled over the grimy cotton to give it its pristine sparkle of Yule-tide frost.

"An appropriate motto for a wedding," whispered Alex Shelby to Lloyd. Only his eyes laughed. His face was as solemn as the usher's own as he turned to gaze at the word "Welcome" over the door, and the fringe of paper Easter lilies draping the top of each uncurtained window.

Bernice claimed his attention several moments, then he turned to Lloyd again. "Do tell me, Miss Lloyd," he begged, "what is that wonderfully and fearfully made thing in the front of the pulpit? Is it a doorway or a giant picture-frame? And what part is it to play in the ceremony?"

Lloyd's face dimpled, and an amused smile flashed up at him from the corner of her eye. Then she lowered her long lashes demurely, and seemed to be engrossed with her bunch of roses as she answered him.

"The coquettish thing!" thought Bernice, seeing the glance but not hearing the whisper which followed it.

"Sh! Don't make me laugh! Everybody is watching to see if the white folks are making fun of things, and I'm actually afraid to look up again for feah I'll giggle. Maybe it's a copy of Eugenia's gate of roses. It looks like the frame of a doahway. Just the casing, you know. Maybe it's a doah of mawning-glories they're going to pass through. I recognize those flowahs twined all around it. We made them a long time ago for the lamp-shades when the King's Daughtahs had an oystah suppah at the manse. I made all those purple mawning-glories and Betty made the yellow ones."