In 1866 he says: "I am glad to see 'Hosea Biglow' in book form. It is a grand book—the best of its kind for the last half-century or more. It has wit enough to make the reputation of a dozen English satirists."

This appreciation of his contemporaries was a strong feature of his character. His sympathy with the difficulties of a literary life, particularly for women, was very keen. There seem to be few women writers of his time who have failed to receive from his pen some token of recognition. Of Edith Thomas he once said in one of his notelets, "She has a divine gift, and her first book is more than a promise—an assurance." Of Sarah Orne Jewett he was fond as of a daughter, and from their earliest acquaintance his letters are filled with appreciation of her stories. "I do not wonder," he wrote one day, "that 'The Luck of the Bogans' is attractive to the Irish folks, and to everybody else. It is a very successful departure from New England life and scenery, and shows that Sarah is as much at home in Ireland and on the Carolina Sea Islands as in Maine or Massachusetts. I am very proud that I was one of the first to discover her." This predisposition to think well of the work of others gave him the happy opportunity in more than one instance of bringing authors of real talent before the public who might otherwise have waited long for general recognition.

This was especially the case with one of our best beloved New England writers, Lucy Larcom. As early as 1853 he wrote a letter to his publisher introducing her work to his notice. "I inclose," he says, "what I regard as a very unique and beautiful little book in MS. I don't wish thee to take my opinion, but the first leisure hour thee have, read it, and I am sure thee will decide that it is exactly the thing for publication…. The little prose poems are unlike anything in our literature, and remind me of the German writer Lessing. They are equally adapted to young and old…. The author, Lucy Larcom, of Beverly, is a novice in writing and book-making, and with no ambition to appear in print; and were I not perfectly certain that her little collection is worthy of type, I would be the last to encourage her to take even this small step to publicity. Read 'The Impression of Rain-drops,' 'The Steamboat and Niagara,' 'The Laughing Water,' 'My Father's House,' etc."

He thus early became the foster-father of Lucy Larcom's children of the brain, and, what was far more to her, a life-long friend, adviser, and supporter.

One of his most intimate personal friends for many years was Lydia Maria Child. Beginning in the earliest days of the anti-slavery struggle, their friendship lasted into the late and peaceful sunset of their days. As Mrs. Child advanced in years, it was her custom in the winter to leave her cottage at Wayland for a few months, and to take lodgings in Boston. The dignity and independence of Mrs. Child's character were so great that she knew her friends would find her wherever she might live, and her desire to help on the good work of the world led her to practice the most austere economies. Therefore, instead of finding a comfortable boarding-place, which she might well have excused herself for doing at her advanced age of eighty years, she took rooms in a very plain little house in a remote quarter of the city, and went by the street cars daily to the North End, to get her dinner at a restaurant which she had discovered as being clean, and having wholesome food at the very lowest prices. This enabled her to give away sums which were surprisingly large to those who knew her income. Wendell Phillips, who had always taken charge of her affairs, said to me at the time of her death that when the negroes made their flight into Kansas, Mrs. Child came in as soon as the news arrived and asked him to forward fifty dollars for their assistance.

"I am afraid you cannot afford to send that sum just now," said Mr.
Phillips. "Perhaps you will do well to think it over."

"So I will," said Mrs. Child, and departed.

In the course of the day he received a note from her, saying she had made a mistake. It was one hundred dollars that she wished to send.

Mrs. Child's chief pleasure in coming to town was the opportunity she found of seeing her friends. Whittier always sought her out, and their meetings at the houses of their mutual cronies were festivals indeed. They would sit side by side, while memories crowded up and filled their faces with a tenderness they could not express in words. As they told their tales and made merry, they would sit with their hands on each other's knees, and with glances in which tears and laughter were closely intermingled.

"It was good to see Mrs. Child," some one remarked, after one of those interviews.