"Come, come," said Vaura, brightly, "see the sunlight streaming in upon the sky-like walls; so our lives will be happy now in union once more."
"You are a sunbeam, Vaura; and here comes Somers to lead me to the room of pink."
"Which I hope will prove the pink of perfection, god-mother mine; and now, uncle, to see Madame, on and off the canvas, ere I retire to my vernal apartment."
On the way to the ball-room the corridors were almost deserted, the fair sex either closeted with their maids discussing the war-paint for the midnight revels, or wooing the god of slumber with a narcotic; the men flirting with their unwearied sisters anywhere, or killing time with the balls in the billiard-room.
But the ball-room is reached; over the velvet hangings which drape the entrance, and which are of scarlet, on which are painted blue grapes with their green vine leaves; for contrast, the yellow sun-flower, with heavy, many-coloured fringe;—as a heading to the drape are the words in letters of gold formed by leaves of the vine: "Dedicated to Comus and Kate." It was a fitting room for revelry, with its gaily painted walls and ceiling, now with its ropes of natural blossoms festooning windows and chaining gasalier to gasalier. The door of the long conservatories were open, and so the air was redolent of sweetness almost intoxicating.
Vaura's face showed no surprise at the scene which met her gaze. On the dais at the end of the room were grouped Mrs. Haughton, who reclined in the corner of a lounge, her well-shaped feet resting on a footstool; she wore the divided skirt, with loose tunic waist; it was of blue Lyons velvet, richly braided with scarlet silk braid, low shoes of blue velvet with scarlet silk stockings; her black hair in rings on her forehead, meeting brows of gipsy darkness, her white teeth showing as she laughingly drew the cigarette from her mouth on the approach of her husband and his niece.
"It shall be hung for to-night, Mr. ——," she said imperiously, if jokingly, in reply to the artist's protest that his work 'would not be dry;' "if," she continued, "it has to be baked dry in the cook's oven, or by the fire in the men's words engendered by their champagne lunch!"
There was a general laugh.
"The dear thing must have her way," lisped the Meltonbury, from the floor where she sat, cross-legged, also in divided skirt.
"My work will be spoiled, then," said the artist, ruefully.