After St. Giovanni, we passed through Portici, the home of Masaniello and his poor sister Fenella. Here there are delightful villas, with gardens sloping down to the bay, and close to it lies Resina, where the ascent of the mountain on horseback begins. There used to be a fine carriage road as far as St. Salvator, which is about an hour’s ride up the mountain, but the lava streams of the great eruption of 1859, have entirely destroyed it. We had not been more than ten minutes on our horses, when we came to these formidable traces of the last great eruption of the volcano. In broad thick masses the lava had flowed down the sides of the mountain into the blooming orchards and fruitful vineyards, to which the dark, dead rivers of stone presented a striking contrast.
These lava streams have a strange and diverse appearance. Sometimes the surface is roughly even and resembles immense masses of curiously twisted burnt trunks, and branches of trees. At other places it is more like a roughly ploughed field that by a sharp frost has become still more broken up than by the plough. Between the lava are large beds of ashes and cinders.
The ride to the foot of the cone, which lasted about an hour and a half, presented no difficulty, for the road rises very gradually and is broad, and lava presents a rough surface on which the horses’ feet do not slip. The cone must be climbed on foot, and is a very tiring piece of work even with the assistance of two guides, the one to pull you up with the help of a band fastened round his waist, the other pushing you up by placing one of his hands against your back. As climbing does not easily tire me I wanted to walk up, to which my husband however objected; so I had to sit down in a chair in which the guides carried me up. One guide in front held the two poles which were fastened to the chair in his hands, two men behind carried each one on his shoulder, and thus kept the chair in a horizontal position. It must be very hard work indeed to carry any body for an hour up so steep an ascent; for my husband, although he was assisted in the already described manner by two guides, found it very tiring indeed. The men did it however cheerfully, and with less appearance of fatigue than I had expected. When we had reached the top, and my husband and the men had rested awhile, we walked to the brink of the crater, and now I saw, with my own eyes, the strange and grand spectacle to the description of which I remember to have listened with almost incredulous wonder when a little school girl, and which to see I had longed for ever since we had passed Mount Etna and Stromboli.
The volcano was in a very fair state of activity. Thick volumes of smoke issued from it, and about every two minutes there was a loud report as of thunder or cannon, and then flames appeared, and ashes and stones were ejected flying high up into the air, and falling down with a rattling noise. It must not however be thought that we stood close to the terrible opening out of which rose the flames and smoke. Within the large crater from the brink of which we witnessed the spectacle, rises, what looks a Vesuvius on a smaller scale, and on the top of this, which is however below the level of the place where we stood, is the real crater. It is very fascinating to watch the eruptions, and we found it difficult to turn our backs upon it, and look a little at the scene around us in the beautiful world below.
The top of Vesuvius looks terribly dreary; the dread abode of horror and destruction. Nothing but the dark lava stones and ashes all around. There is of course no trace of animal or vegetable life visible anywhere. The sad monotony is however a little relieved by the different colours of the lava and the stones; especially by the bright yellow of the sulphur one sees in large quantities. This hideous image of death and destruction rises abruptly out of Elysian plains and vallies; its foot is washed by the azure sea dotted with emerald islands, and above smiles a limpid sky.
The view is very extensive, because Vesuvius is a mountain of considerable altitude; yet as it rises so abruptly out of the plain and sea, the view has the distinctness of no great distance, which adds much to its charm. It is lovely on all sides; but from the point that overlooks Naples, the Bay and its lovely shores, the Mediterranean, and the islands of Capri, Ischia and Procida, it is deservedly considered one of the most lovely in the world.
In going up the volcano the guides had chosen a stony, rough stream of lava, which affords a safe footing; in going down, on the contrary, they chose a bed of fine cinders and ashes, and ran or slid rapidly down. What it had taken us an hour to ascend, my husband descended in six minutes, and I, chair and all, took only about double that time. It is a very dusty affair, the black ashes whirl up under the feet of the men, and envelope one completely. Never was a tepid bath more refreshing than the one I enjoyed in the evening after I had come home from my visit to Vesuvius.
The guides had pointed out to us the lava streams of the different eruptions, and the immense stones and pieces of rock which were ejected by the volcano in 1822. In looking at these formidable pieces of rock, of which some were at a great distance from the crater, one gets an idea of the power that is working within it, and the fate of Herculaneum and Pompeii becomes intelligible. The latter place we had visited the day before. All I felt there is expressed in those few words: “Sic transit gloria mundi.” But never before had I realized so fully what the instability of all earthly greatness means. In this city of the dead I felt far, far removed from the present, and my mind for a moment seemed to realize what the future really means. A time, when the lovely city I had just left would have disappeared from the face of the earth, and its old site be a matter of doubt and uncertainty, when the language of Dante would survive perhaps in his book only, when the very features of sea and mountain around me might be changed; for had not eighteen hundred years ago, the waves of the gulf washed the walls of Pompeii that now lies far inland, and another Vesuvius burned than the one we ascended? And I saw with my mind’s eye the proud city across the sea, which I had left a few months before, as Macaulay, thinking of a time to come, describes it, a heap of ruins; and a traveller in a strange dress, speaking a language which is not yet formed, sitting on a broken arch of London Bridge, meditating like me at that moment on the truth of the words, “Sic transit gloria mundi.” We did not, as Murray recommends, enter Pompeii by the Strada dei Sepolcri, but through the Porta del Mare, and I liked it better, as the Strada de Sepolcri forms the fittest finale of the town.
I have heard of people who have been disappointed in Pompeii, others have said the same of the Acropolis. I cannot understand such people. They must be more dead than the very stones there, for they spoke to me, and what they said moved me deeply. When I first entered the city of the dead, I felt strange and bewildered like in a dream. Surely “reality is stranger than fiction.” What can be more strange than that the sun should shine again into the streets, and light up the painted walls and mosaic pavement of Pompeii. And yet so it is. That very old Pompeii, that lay for nearly eighteen centuries buried, is risen again. We walk through its streets, and tread the very stones worn out by the footsteps of Roman citizens, and by the wheels of their chariots.
We see their houses, their temples, their judgment halls, their baths and theatres, their gardens and court-yards, in which however the little fountain is silenced for ever. In walking into their houses we seem to become strangely familiar with their former inhabitants; we see everywhere traces of their being, of their virtues and vices, of their greatness and their folly. I daresay by night the spirits of the departed haunt the silent town; but it was by broad cheerful daylight that I visited it, and therefore it seemed inhabited only by pretty little lizards, which I saw flitting about on every wall, and between the delicate ferns that grow in the silent streets of Pompeii.