“As for the unhappy Countess Tarnowska,” added Professor Bossi, “the Venetian tribunal refused to regard her as a suffering human being, but flung her out of society like some venomous reptile. Read these notes that she wrote in prison,” he said, placing in my hand a book of almost illegible memoranda. “If they touch your heart, then do a deed of justice and generosity. Go to the penitentiary of Trani, see the prisoner yourself, and give her story to the world. So will you perform an act of humanity and beneficence by helping to diffuse a scientific truth in favor, not of this one woman alone, but of all women.”

After glancing through the strange human document he had given me I decided to do what he asked; for, indeed, from those poor, incoherent pages there seemed to rise the eternal cry of suffering womanhood—the anguished cry of those that perpetuate the gift of life—which no sister-soul can hear unmoved.

Thus it was that my mind was first directed to the theme of this book and that I undertook the task—fraught with almost insuperable difficulties—of breaking down official prohibitions and reaching the Russian captive in her distant Italian prison.

And now that I have been brought face to face with that strange and mournful figure, now that I have heard her story from her own pale lips, I am moved by the puissant impulse of art, which takes no heed of learned theory or ethical code, to narrate in these pages the profound impression made upon me by that tragic personality, by the story of that broken life.

I have endeavored to do so with faithfulness, exaggerating nothing, coloring nothing, extenuating nothing. It will be for the pontiffs of science and morals to achieve the more complex task of drawing conclusions and establishing theories that may one day diminish injustice and suffering in the world.

A. Vivanti Chartres.

LIST OF ILLUSTRATIONS

Facing page
MARIE NICOLAEVNA TARNOWSKA[Frontispiece]
A PAGE FROM MARIE TARNOWSKA'S NOTE-BOOK[6]
COUNT O'ROURKE[20]
COUNT PAUL KAMAROWSKY[180]
I STEPPED OUT UPON THE BALCONY[194]
UNDER ARREST[268]
IN THE PRISON CELL[292]
THE PENITENTIARY AT TRANI[300]