Sir David Wilkie (b. 1785), one of the greatest of Scottish painters, claims a few words here, especially regarding the latter part of his brilliant career. In 1820-1 he accomplished his masterpiece, "The Chelsea Pensioners listening to the News of Waterloo," for which he received 1,200 guineas from the Duke of Wellington. His later works did not increase his reputation, chiefly because he abandoned the style in which he excelled and adopted the pseudo-Spanish. In 1830 he was made painter in ordinary to his Majesty on the death of Lawrence, and became a candidate for the Presidentship of the Royal Academy, but had only one vote recorded in his favour. Between 1830 and 1840 he painted a considerable number of works, among which were "John Knox preaching before Mary," and "The Discovery of the Body of Tippoo Sahib," painted for the widow of Sir David Baird, for £1,500. In 1836 he was knighted, and in 1840 he set out on a tour to the East, and went as far as Jerusalem, which he viewed with rapture. At Constantinople he had the honour of painting the Sultan for the Queen. He returned by Egypt, but never saw his native land again. He died off Gibraltar, and, the burial service having been read by torchlight, his body was committed to the deep, on the 1st of June, 1841.

ABBOTSFORD AND THE EILDON HILLS. (From a Photograph by Valentine & Sons, Dundee.)

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In the lives of English painters the story of Benjamin Robert Haydon is perhaps the saddest. In youth he devoted himself with such zeal to the study of art that people wondered how he ever found time to eat. He was one of those men of genius who may be called "unlucky." He was always in pecuniary difficulties, though his father allowed him £200 per annum in the earlier part of his career. He applied for admission into the Academy, but did not obtain a single vote; and he got involved in controversies, which continued to embitter his life. He succeeded at last, however, by his energy, in commanding public attention and winning fame. For the "Judgment of Solomon" he received £700, with £100 voted to him by the directors of the British Institution, and the freedom of Plymouth. His pictures were, however, very unequal; here and there was a powerful piece of work, but the whole was generally rough and unfinished. He committed suicide in 1846. Sculpture, which was then at its lowest ebb, was relieved alone from vacuity by the works of Chantrey, Flaxman, and Gibson.

In architecture the first place is due to the patriarch of the science, Sir John Soane, who was employed in erecting or improving numerous public edifices in the metropolis and elsewhere. The atrocious law-courts, which he added to Westminster Hall, were happily removed in 1883. In 1826 he built the Freemasons' Hall, in Great Queen Street, having been chosen grand superintendent of works to the fraternity of Freemasons some years before. In 1833 he completed the State Paper Office in St. James's Park. He was now in his eightieth year, and he retired from the active labours of the profession in which he had been engaged for sixty years, during forty-five of which he had been in the service of the Bank of England. At his death, which occurred on January 20th, 1837, his house and museum in Lincoln's Inn Fields became the property of the public.

Sir Charles Barry was the architect of numerous buildings, but his greatest work was the New Palace of Westminster. When the old Houses of Parliament were burned down in 1834, amongst the numerous designs sent in Mr. Barry's was selected, and he had the honour of constructing the magnificent temple of legislation in which the most powerful body in the world debates and deliberates, upon the old, classic site, rendered sacred by so many events in our history. It has been disputed whether the style of the building is altogether worthy of the locality and the object, and whether grander and more appropriate effects might not have been produced by the vast sums expended. But it has been remarked in defence of the artist, that the design was made almost at the commencement of the revival of our national architecture, and that, this fact being considered, the impression will be one of admiration for the genius of the architect that conceived such a work; and the conviction will remain that by it Sir Charles Barry did real service to the progress of English art.

The two Pugins, father and son, had much to do with the revival of Gothic architecture among us. The father, Augustus, born in France in 1769, came over to London to practise his profession. In 1821-3 he published "Specimens of Gothic Architecture," selected from various ancient edifices in England; and in 1825-28 "Specimens of the Architectural Antiquities of Normandy." The year before his death, in 1832, he assisted his son in producing a work entitled "Gothic Ornaments," selected from various buildings in England and France. Augustus Welby Pugin, who was born in 1811, very soon eclipsed his father's fame. Having resolved to devote his time to the archæological study of style and symbolism in architectural ornaments, he settled down at Ramsgate in 1833, and carried his resolution into effect both with pen and pencil. In 1835 he published designs for furniture, in the style of the fifteenth century; and designs for iron and brass work, in the style of the sixteenth and seventeenth centuries. The year following appeared his "Designs for Gold and Silver Ornaments, and Ancient Timber Houses." His exclusive and ardent devotion to these studies, aided, no doubt, by his habits of seclusion, began to produce a morbid effect upon his intellect, which was shown in the overweening arrogance of a tract entitled "Contrasts; or, a Parallel between Ancient and Modern Architecture." This morbid tendency probably was increased by his becoming a member of the Roman Catholic Church, in which a great field was opened for the display of his peculiar tastes by the construction of buildings which he expected would shame the degenerate taste of the age, but which, too often, were found to be gloomy and inconvenient. His principal works were the Cathedral of St. George, Southwark, the Church of St. Barnabas, at Nottingham, the Cistercian Abbey of St. Bernard, in Leicestershire, the cathedral churches of Killarney and Enniscorthy, Alton Castle, and the model structure which he erected at his own place near Ramsgate. The Mediæval Court in the Exhibition of 1851 was associated in all minds with the name of Pugin. In his case genius was too nearly allied to madness. The awful boundary was passed towards the close of his life, when his friends were obliged to confine him in a lunatic asylum, from which he returned only to die in 1852.

Among the historians of the time there are three or four names that deserve to be specially mentioned. The first is that of Sir James Mackintosh, who, notwithstanding the pressure of Parliamentary duties and the attractions of London society, so far conquered his constitutional indolence, increased by his residence in India, as to produce some literary works so valuable that it has been a source of regret that he could not find time to give to the world something more than fragments. His dissertation on "The Progress of Ethical Philosophy" shows what he could have accomplished in that field; while his three volumes of "The History of England" caused a general feeling of disappointment that he was not spared to complete the work. He was engaged on a history of the Revolution of 1688 when he died, rather suddenly, in May, 1832.

The English Roman Catholics produced an historian—Dr. Lingard—who, for the correctness and strength of his diction, as well as the extent of his learning, ranks among the first names in this department of literature. He was a man of great force of mind, remarkable acuteness in testing historical evidence, and considerable powers of description. Being a priest, it was not to be expected that he would be impartial in his treatment of the events and characters of the Reformation, and the subsequent conflicts between the Churches of England and Rome. Of his own Church he was a zealous defender and a skilful apologist; but where that bias did not interfere, his judgments were generally sound. He died in 1851.