THOMAS MOORE.

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The age was remarkably prolific in female poets and novelists, some of whom have taken as high a rank in literature as their sex have done in any age. Lady Blessington and Lady Morgan were not young at the death of George III., but many of their most celebrated works were published during the two subsequent reigns. The former, soon after the death of Lord Blessington in 1829, fixed her residence in London at Gore House, which became the centre of attraction for men of talent and distinction in every department. Even great statesmen and Ministers of the Crown sometimes spent their evenings in her circle, which was then unrivalled in London for the combined charms of beauty, wit, and brilliant conversation; and besides, all the celebrities and lions of London were sure to be met there. The ambiguous attachment that so long subsisted between her and Count D'Orsay, one of the most accomplished men of the age, however, excluded Lady Blessington from the best society. The heavy expenses of her establishment compelled her to work hard with her pen, and she produced a number of works, which were in great demand in the circulating libraries of the day. They are no longer read. Debt at length broke up the establishment at Gore House, and all its precious collections passed under the hammer of the auctioneer, to satisfy inexorable creditors. Lady Blessington removed to Paris, where she lived in retirement for some years, and died in 1849. Lady Morgan (Sydney Owenson) was before the country as an author for nearly half a century. She was born in Dublin, in 1783, and died in 1859. Before she was sixteen years of age she was the author of two novels. Her third work, "The Wild Irish Girl," brought to her the fame for which she longed, and made her a celebrity. In 1811 she married Sir Charles Morgan, a Dublin physician. Her principal works as a novelist were "Patriotic Sketches," "O'Donnell," "Florence M'Carthy," and "The O'Briens and O'Flahertys," which was published in 1827.

One of the most charming poets of the time was Mrs. Hemans, whose maiden name was Felicia Dorothea Browne, daughter of a Liverpool merchant, and sister of Colonel Browne, a distinguished officer, who was for many years one of the Commissioners of the Metropolitan Police in Dublin. In 1819 she obtained a prize of £50 for the best poem on the subject of Sir William Wallace; and in 1821 that awarded by the Royal Society of Literature for the best poem on the subject of Dartmoor. Her next production was a tragedy, "The Vespers of Palermo," which was unsuccessful on the stage. "The Forest Sanctuary" appeared in 1826, and in 1828 "Records of Woman." In 1830 appeared "Songs of the Affections," and four years later, "National Lyrics," "Hymns for Childhood," and "Scenes and Hymns of Life." There was a collective edition of her works published, with a memoir by her sister, in 1839, and several other editions subsequently, not only in Great Britain, but in America, where her poems were exceedingly popular. She died in 1835.

Letitia Elizabeth Landon, known as one of the most eminent female poets of her time, by the signature "L. E. L." which she appended to her numerous contributions in the magazines, was born at Hans Place, Chelsea, in 1802. Her "Poetical Sketches" were published first in the Literary Gazette. In 1824 appeared her "Improvisatrice." She was the author of two other volumes of poetry, and of a successful novel. A spirit of melancholy pervades her writings; but it is stated by Mr. L. Blanchard, in the "Life and Literary Remains," which he published, that she was remarkable for the vivacity and playfulness of her disposition. Her poetry ranked very high in public estimation for its lyric beauty and touching pathos; but the circumstances of her early death, which was the subject of much controversy, invested her name with a tragic and romantic interest. In 1838 she was married to Mr. George Maclean, Governor of Cape Coast Castle, but the marriage was unhappy, and she died, shortly afterwards, from an overdose of laudanum.

Robert Pollok was a young Scottish minister, who rose suddenly to popularity by the publication of a poem in blank verse, entitled "The Course of Time." It was long and discursive, extending to ten books. The style was very unequal, sometimes rising to a high level, and often sinking to tame prose. The author had a wonderful command of words for one so young, and time would, no doubt, have mellowed what was crude and refined what was coarse, if he had not been prematurely cut off, just when his genius and his goodness had gathered round him a host of warm friends. He died of consumption, on the 15th of September, 1827. His early death contributed to the popularity of the poem, which ran through many editions.

John Wilson, though born so far back as 1785, was one of the writers of this period distinguished for originality, freshness, power, and rich fancy, combined with learning and eloquence. As "Christopher North" he was long the delight of the readers of Blackwood's Magazine. His criticisms on poetry were distinguished by a profusion of thought and imagery, which flowed forth so rapidly, and sometimes so little under the control of judgment, that there seemed no reason why the stream of illustration should not flow on for ever. He was a poet as well as a critic; but it is a singular fact that his imagination, like that of Milton, was more active in prose than in verse. In the latter, his genius was like a spirited horse in harness; in the former, like the same horse unbridled, and bounding wildly over the prairies. His principal poetical work was "The Isle of Palms," published in 1812, which was followed by one more elaborate, "The City of the Plague." Among the most popular of his prose fictions are, "The Lights and Shadows of Scottish Life," "The Trials of Margaret Lyndsay," and "The Foresters." But it was in periodical literature that he shone most brightly. Soon after the establishment of Blackwood's Magazine, in 1817, he became its chief editor, and thenceforward he poured forth through this organ all the treasures of his intellect. In 1820 he succeeded Dr. Thomas Brown as Professor of Moral Philosophy in the University of Edinburgh, which he held till 1851, when he resigned, in consequence of ill-health, receiving about the same time a pension of £300 a year from the Crown. As a professor he was greatly beloved by his students, on account of his genial nature and the warm interest he took in their welfare; and he was always surrounded by troops of friends, who respected his character almost as much as they admired his genius. He died in 1854.

The most distinguished dramatic writers of the time were Sheridan Knowles, Sir Edward Bulwer Lytton, Mr. Justice Talfourd, and Miss Mitford. Mr. Knowles's first drama, Caius Gracchus, appeared in 1815, and was followed by more successful efforts, namely, The Wife, a Tale of Mantua, The Hunchback, Virginius, The Blind Beggar of Bethnal Green, William Tell, The Love Chase, Old Maids, and The Daughter. Ultimately, however, he became disgusted with the stage from religious scruples, and taking a fancy to polemics, he published two attacks upon Romanism, entitled, "The Rock of Rome" and "The Idol demolished by its own Priest." He ended his career as a preacher in connection with the Baptist denomination, and died in 1862, having enjoyed a literary pension of £200 a year since 1849.

Sir E. Bulwer Lytton (afterwards Lord Lytton) is chiefly known as a most successful novelist, but he won fame also as a dramatic author, his chief productions in this line being The Lady of Lyons and Richelieu. He was born in 1805, and was the youngest son of General Bulwer, of Haydon Hall. He commenced the career of authorship very early, having written "Weeds and Wild Flowers," "O'Neil, the Rebel," and "Falkland," before the appearance of "Pelham" in 1828. Then in rapid succession appeared "The Disowned," "Devereux," "Paul Clifford," "Eugene Aram," "The Last Days of Pompeii," "Rienzi," "Ernest Maltravers," "Alice, or the Mysteries," "The Last of the Barons," "Harold, or the Last of the Saxon Kings," and several others. In 1831 he entered the House of Commons, and represented Lincoln till 1841. His political career, however, belongs to the reign of Queen Victoria.