They sang a selection from the “Messiah” in a way which appeared to give great satisfaction, some portions of it being encored.
Two other performers now made their appearance, the first being Charles Peace, the other a tall gentleman, whose name was not announced; he, however, bore in his hands a bass viol.
Two chairs were brought forward in close proximity with the piano, and on these the musicians sat.
After the usual formula of scraping and twanging the strings, one of Beethoven’s magnificent symphonies was attacked—to use a newspaper phrase.
It was played with great feeling, being, in fact, a gem to those who could appreciate first-class music.
It was re-demanded.
“That was well played—was it not, sir?” said Bessie, to the gentleman.
“Oh, dear, yes; highly creditable to all three of the performers—exceedingly good!”
While this had been going on, Peace appeared to be a little disconcerted. Despite the encore, he arose from his seat, and was about to make a precipitate retreat; but Mr. Knight signified by a movement of his hand and head that the symphony was to be repeated. Notwithstanding this, Peace still hesitated.
At length he returned to his seat.