Mr. Knight apologised, and pleaded indisposition, a cold, and hence the young lady’s inability to repeat the canzonet.
The tumult was hushed.
Charles appeared—he was accompanied this time by a harpist.
A trio for harp, piano, and violin. This proved to be a very taking piece; it seemed to give general satisfaction.
It was encored.
It was not, however, repeated, the performers substituting another in its stead. This was done to give a greater variety to the entertainment.
After another song and a harp solo, the first part was brought to a conclusion by the choir singing a magnificent chorus from one of the oratorios.
While all this had been going on, the young man or gentleman it might be, who sat beside Bessie, was unremitting in his attentions to her and her companion, Mrs. Bristow, who, albeit a married woman, was not much older than the girl.
In the second part of the performance Peace made a still greater impression on the audience, who applauded him to the very echo.
After two or three popular ballads had been sung, he and another young man came forward with their faces blacked, as a couple of nigger delineators. After some patter, in which some old jokes were given, Peace commenced a mild and meek-like prelude on the violin, his companion the while working vigorously on the concertina.