A landskip with figures, fishing, &c. by Zuccharelli, about 2 feet 9 inches wide. This picture from the fineness of the figures, and the uncommon richness of the colouring, has been always deemed at least equal to any thing this great master ever painted.
A holy family, with a little St. John sitting on a lamb, by Scarcellini de Ferrara, after a design of Augustine Caracci; it is a small picture, but the characters and colouring are remarkably sweet in it.
A very masterly sketch of the miraculous cross of St. Antonio de Padua, by Seb. Ricci. This at a little distance, has all the effect of a finish’d picture.
Christ and the two disciples at Emaus, by Elsheimer. The story is finely told, and there is great expression in the figures: this picture is a curiosity, not only from the great scarceness of the works of this master, but there are in it two different candle lights, and a moon light, which have an uncommon, and yet pleasing effect.
The Virgin supporting a dead Christ, by Lubin Baugin, called in France, Le Petit Guide, from his happy manner of imitating the stile of that great master, of which this little picture, among others, is a proof: this was out of the Duke de Tallard’s collection.
A sea monster swimming away with a woman, by Albert Durer, who has engraved a print of the same subject: this is extremely well preserved, and there is a much better keeping observed in it than is usual in pictures of that age.
A camelion with a thistle and flies, most exquisitely painted after the life, by Van Aelst.
A group of various flowers with insects in a glass of water, by a master who has mark’d the picture with
This in point of finishing, is perhaps carried as high as art, colours, and the finest pointed pencils can possibly arrive.