Apollo in the attitude of slaying Marsyas. The figures about two feet high, by Andrea Sacchi.
Two small pictures, the one representing a mountebank drawing a tooth to a clown, surrounded by many spectators; the other exhibiting many people playing at balls upon the ground. Tho’ both these pictures are copious in figures, yet there is none of them but has some posture or meaning most lively and naturally expressed, by Michelangelo delle Battaglie.
A small picture, containing our Lady and her babe, St. Joseph, and St. Catharine, half figures, finely painted, by Bartolomeo Schidone.
A small picture, representing an angel that contemplates with a most afflicted look one of the nails with which our Saviour was crucified, holding it up in his hand, by Correggio.
A most beautiful sketch, representing our Saviour laid in the sepulchre, with the Virgin who has swooned and is supported by the three Marys, by Giacomo da Bassano.
Four small pictures, containing some figures two feet high, most masterly painted, by Francesco Mazzuoli, called il Parmigianino.
A small picture with many figures, representing our Saviour shewn to the people by Pilate. A noble performance, by Federigo Barocci.
A small picture, representing our Saviour appearing to Mary Magdalen in the gardener’s form, by Raphael’s master Pietro Perugino.
The infant Jesus and St. John embracing. An excellent performance and well preserved, by Raphael. Three heads in water colours, bigger than the life, by Raphael.
A head of Joseph of Arimathea, as big as the life, by Federigo Barocci.