This vast and noble fabric, which is 2292 feet in circumference, and 340 feet in height to the top of the cross, is surrounded at a proper distance by a dwarf stone wall, on which is placed the most magnificent balustrade of cast iron perhaps in the universe, of about five feet six inches in height, exclusive of the wall. In this stately enclosure are seven beautiful iron gates, which, together with the banisters, in number about 2500, weigh two hundred tons and eighty-one pounds, which having cost 6d. per pound, the whole, with other charges, amounted to 11,202l. and 6d.
In the area of the grand west front, on a pedestal of excellent workmanship, stands a statue of Queen Anne, formed of white marble with proper decorations. The figures on the base represent Britannia with her spear; Gallia, with a crown in her lap; Hibernia, with her harp; and America with her bow. These, and the colossal statues with which the church is adorned, were all done by the ingenious Mr. Hill, who was chiefly employed in the decorations.
The north east part of the church yard is conferred by the Dean and Chapter upon the inhabitants of St. Faith’s parish, which is united to St. Austin’s, for the interment of their dead; as is also the south east part of the cemetery, with a vault therein, granted to St. Gregory’s parish for the same use.
On ascending the steps at the west end, we find three doors ornamented on the top with bas relief; the middle door, which is by far the largest, is cased with white marble, and over it is a fine piece of basso relievo, in which St. Paul is represented preaching to the Bereans. On entering this door, on the inside of which hang the colours taken from the French at Louisbourg in 1758, the mind is struck by the nobleness of the vista; an arcade supported by lofty and massy pillars on each hand, divide the church into the body and two isles, and the view is terminated by the altar at the extremity of the choir. The above pillars are adorned with columns and pilasters of the Corinthian and Composite orders, and the arches of the roof enriched with shields, festoons, chaplets and other ornaments.
In the isle on one hand is the consistory, and opposite to it on the other is the morning prayer chapel, where divine service is performed every morning early, Sunday excepted: each of these have a very beautiful screen of carved wainscot, that is admired by the best judges, and each are adorned with twelve columns, arched pediments and the royal arms, finely decorated.
On proceeding forward, you come to the large cross isle between the north and south porticos; over which is the cupola. Here you have a view of the whispering gallery, of the paintings above it, and the concave, which fills the mind with surprise and pleasure. Under its center is fixed in the floor a brass plate, round which the pavement is beautifully variegated; but the figures into which it is formed can no where be so well seen as from the whispering gallery.
You have now a full view of the organ, richly ornamented with carved work, with the entrance to the choir directly under it. The two isles on the sides of the choir, as well as the choir itself, are here enclosed with very fine iron rails and gates.
The organ gallery is supported by eight Corinthian columns of blue and white marble, and the choir has on each side thirty stalls, besides the Bishop’s throne on the south side, and the Lord Mayor’s on the north. The carving of the beautiful range of stalls as well as that of the organ, is much admired.
Here the reader’s desk, which is at some distance from the pulpit, is an enclosure of very fine brass rails gilt, in which is a gilt brass pillar supporting an eagle of brass gilt, which holds the book on his back and expanded wings.
The altar piece is adorned with four noble fluted pilasters painted and veined with gold in imitation of lapis lazuli, and their capitals are double gilt. In the intercolumniations are twenty-one pannels of figured crimson velvet, and above them six windows, in two series.