Lady Bloomfield, while maid-of-honour to the Queen, was much in the society of royalty. The following are extracts from her Reminiscences, giving a sketch of the life at Windsor in 1843: 'I went to the Queen's rooms yesterday, and saw her before we began to sing. She was so thoroughly kind and gracious. The music went off very well. Costa [Sir Michael] accompanied, and I was pleased by the Queen's telling me, when I asked her whether I had not better practise the things a little more, "that was not necessary, as I knew them perfectly." She also said, "If it was convenient to me, I was to go down to her room any evening to try the masses." Just as if anything she desired could be inconvenient. We had a pleasant interview with the royal children in Lady Lyttelton's room yesterday, and almost a romp with the little Princess Royal and the Prince of Wales. They had got a round ivory counter, which I spun for them, and they went into such fits of laughter, it did my heart good to hear them. The Princess Royal is wonderfully quick and clever. She is always in the Queen's rooms when we play or sing, and she seems especially fond of music, and stands listening most attentively, without moving.
'Dec. 18.—We walked with the Queen and prince yesterday to the Home Farm, saw the turkeys crammed, looked at the pigs, and then went to see the new aviary, where there is a beautiful collection of pigeons, fowls, &c., of rare kinds. The pigeons are so tame that they will perch upon Prince Albert's hat and the Queen's shoulders. It was funny seeing the royal pair amusing themselves with farming.
'Dec. l9.—My waiting is nearly over, and though I shall be delighted to get home, I always regret leaving my dear kind mistress, particularly when I have been a good deal with Her Majesty, as I have been this waiting. We sang again last night, and after Costa went away, I sorted a quantity of music for the Queen; and then Prince Albert said he had composed a German ballad, which he thought would suit my voice, and he wished me to sing it. So his royal highness accompanied me, and I sang it at sight, which rather alarmed me; but I got through it, and it is very pretty. The Duchess of Kent has promised to have it copied for me.'
In 1847 Baron Stockmar wrote: 'The Queen improves greatly. She makes daily advances in discernment and experience; the candour, the love of truth, the fairness, the considerateness with which she judges men and things are truly delightful, and the ingenuous self-knowledge with which she speaks about herself is simply charming.' It was not perhaps surprising that the Queen's views and the prince's views on public questions coincided.
When Lord Shaftesbury, then Lord Ashley, delivered a very able speech on the Mine and Colliery Bill, the Prince-Consort wrote, 'I have carefully perused your speech, which you were so good as to send me, and I have been highly gratified by your efforts, as well as horror-stricken by the statements which you have brought before the country. I know you do not wish for praise, and I therefore withhold it; but God's best blessing will rest with you and support you in your arduous but glorious task.'
In 1848, a year of revolution, the Prince-Consort consulted Lord Shaftesbury as to his attitude towards the working-classes. The interview took place at Osborne, and the Queen and Prince-Consort were greatly alarmed by the revolution in France and the exile of Louis-Philippe. 'They feared the continuance of commotions in England, and were desirous to know how they could exercise their influence to soothe the people. The Queen, on my arrival, expressed this sentiment very warmly, and added at dinner, "The prince will talk to you to-morrow. We have sent for you to have your opinion on what we should do in view of the state of affairs to show our interest in the working-classes, and you are the only man who can advise us in the matter."'
On the following morning, during a long walk of an hour and a half in the garden, Lord Shaftesbury counselled the prince to put himself at the head of all social movements in art and science, and especially of those movements as they bore upon the poor, and thus would he show the interest felt by royalty in the happiness of the kingdom. The prince did so with marked success; and after he had presided at a Labourers' Friend Society, a noted Socialist remarked, 'If the prince goes on like this, why, he'll upset our apple-cart.'
The poet-laureate is an official attached to the household of royalty, and it was long his duty to write an ode on the king's birthday. Towards the end of the reign of George III. this was dropped. On the death of the poet Wordsworth on 23d April 1850, the next poet-laureate was Alfred Tennyson. The Queen, it is said, had picked up one of his earlier volumes, and had been charmed with his 'Miller's Daughter;' her procuring a copy of the volume for the Princess Alice gave a great impetus to his popularity. No poet has ever written more truly and finely about royalty, as witness the dedication to the Idylls of the King, which enshrines the memory of the Prince-Consort; or the beautiful dedication to the Queen, dated March 1851, which closes thus:
Her court was pure, her life serene;
God gave her peace; her land reposed;
A thousand claims to reverence closed
In her as Mother, Wife, and Queen.
And statesmen at her council met
Who knew the seasons, when to take
Occasion by the hand, and make
The bounds of freedom wider yet.