The first part of the mass, from the Introite to the Offertory, is composed almost entirely of fragments of Scripture: such are, first, the Introite, generally taken from the Psalms; secondly, the Collect, which is the same as that in the Protestant Book of Common Prayer for Sundays; thirdly, the Epistle, which is part of a chapter out of the prophecies, or out of one of the epistles in the New Testament; fourthly, the Gradual, also taken from the Psalms; and fifthly, the Gospel, which, as its name indicates, is a portion of a chapter taken from some one of the four evangelists. The parts added by the popes are, first, the Kyrie Eleyson, taken from the rites of the Greek church; secondly, the Gloria, which is a magnificent outburst of the most elevated religious sentiments; and lastly, the Symbol of the faith.
The Offertory, which is the second part of the mass, is one series of prayers, in which the Canon is prepared, by offering up the host (which has to be consecrated
in order to obtain upon it the blessing of the Most High), and by invoking the intercession of the saints, and enumerating all the graces and favours implored through the medium of the sacrifice. The priest, in this part of the ceremony, washes his hands; he concludes with the Preface, an act of thanksgiving, in which are explained some of the mysteries of religion applicable to the day on which they are celebrated. Among others of this latter class, the preface for the Trinity is admired for its conciseness, and the elegance and accuracy with which the composition explains that great mystery, in terms which cannot be objected to even by any Protestant church.
After the offertory follows the canon, which is the preparation for the consecration, and is also composed of prayers, in which a spirit of penitence, and the invocation of the divine protection in the solemn act about to be celebrated, form prominent features. The priest next takes the host, pronounces over it the words of consecration, and elevates it, so that the people may see and adore it. He does the like with the chalice, and then prepares himself for the communion, which consists in his eating the host and drinking the wine in the cup. Twice afterwards he pours wine and water into the cup, and drinks off the contents, which are called the ablutions. He pronounces other two prayers or thanksgivings, blesses the people, and dismisses them with the formula, “Ite, missa est,” “Go, the mass is over.” Still, however, he continues to read, on ordinary days, in the first chapter of St John’s Gospel, or, on other solemn days, from the other evangelists.
All this is accompanied with various ceremonies, genuflections, and changes of position. For example: the prayers are said in front of the altar; the introite, the collect, and the epistle, on the right; the gospel on the left; the priest, at certain parts of the ceremony, turning his back upon the altar, and his face towards the people. In celebrating the mass, it is required that the priest be dressed in certain vestments, which are, in no small degree, complicated. Some of these are white, and of linen. Others are of silk, and in colour varied according to the solemnity of the day. For example: on the feast-day of a martyr, the ornament is red; on the feasts of the Virgin, and on those on which are celebrated any of the mysteries of the life of the Saviour, it is white; in masses for the souls of the departed, of which we shall treat hereafter, it is black; the violet colour is used in Advent and in Lent; the green on some particular Sundays. The cathedral of Seville alone enjoys the privilege, in all the Roman Catholic world, of using the sky-blue colour on the day whereon is celebrated the Conception of the Virgin.
On the altar at which mass is said, there ought to be, at least, a crucifix, two wax lights, and a slab (ara) of stone. The cloth which covers the chalice and the exterior adornment of the altar, called the frontal, must be of the same colour as the ornament of the day.
There are two kinds of mass, high mass and low mass. The first is generally performed by three priests, viz., the officiating priest, the subdeacon, who chants the epistle, and the deacon, who chants the gospel. In the high mass, the choir sings many parts
of it, and the organ is played at times by way of accompaniment, and at other times as a solo, during the offertory and the canon. On these occasions incense is burned to perfume the altar, after which the deacon perfumes the officiating priest; and if persons of authority or distinction are in attendance at the office of the mass, the acolytes perfume them with the incensories.
The most extraordinary, and, we may justly say, absurd thing in all this complicated series of practices and ceremonies is, that the whole of them are performed in a language which the people do not understand, and consequently they play the part of mere spectators, without having one single religious idea communicated to the mind, or one devout sentiment to the heart. The people see nothing more than a man dressed in a certain manner, moving from one side to another, and from whose lips are proceeding words which are absolutely void of sense. Hence proceeds that species of indifference with which the people regard that spectacle, an indifference which degenerates into profanation and levity. In Spain, particularly, it is quite common for lovers to converse with each other during the mass; and the turbulent crowds which rush in towards the conclusion, the noise, the haste, and, sometimes, the bad expressions which fall on the ear, in the precincts of the edifice, form a strange and scandalous contrast to the sacred character with which the church seems anxious to invest the sacrifice of the mass. The greater number of those persons who assemble to witness it, particularly the humble classes, believe they have complied with the obligation they are under to hear the mass, if even they
only see the priest; and so wearisome has this duty become to the majority of Spaniards, that the most popular priests are those who say the shortest masses.