Crutch. Ladle. Hand Brush. Spat. Paint Brushes.
The paper is printed in pieces twelve yards long. A piece is laid out on a long bench and the ground colour applied, consisting of whiting tinted with some sort of pigment and liquefied with melted size. This is laid on with large brushes. When the paper is dry it is ready to receive the print at the printing press, where the blocks are pressed upon it by a sort of weighted arm which comes down from above the centre of the bench. There must generally be as many blocks as there are colours in the pattern.
Colour Sieve. Paint Pot. Colour Drum. Size Can.
Some paper hangings have a glossy or satin ground. To produce this a ground of satin white, properly tinted, is laid on; this ground is then rubbed with powdered French chalk, and worked with a brush till a gloss is produced. Sometimes these papers are passed between heated rollers which have been engraved with a sort of pattern, and this produces a pattern without any additional colour, like that of figured or watered silk.
Flock papers are those in which part of the pattern resembles cloth. To produce this the pattern is printed, not in paint, but in size, and then the paper being passed through the flock drum, the flock (which is composed of fragments of woollen cloth) adheres to the pattern.
Drum for laying on Flock.
Striped hangings are sometimes produced by the paper being quickly passed on a roller beneath a trough, the colour in which flows through a number of parallel slits in the bottom; and occasionally various coloured stripes are obtained by dividing the trough into cells, with one cell and one slit for each colour. Some papers, in order to bear washing or cleaning, are printed with colours mixed with oil or varnish instead of size.