Perhaps the most touching of all the hundreds of wreaths sent for the funeral was one of simple heather which had been made by the Emperor’s younger children. Attached to it was a sheet of black-edged paper on which they had all written their names in large childish characters.

The Empress was buried beside her husband and her son Waldemar in the Friedenskirche at Potsdam, and the sarcophagus over her tomb is by her artist friend, Begas.

Of memorials to her, there is the bust at Homburg already mentioned. In the English church at Homburg, where she attended divine service for the first time after the death of her husband, is a memorial consisting of four reliefs, placed in the spandrels of the arches in the aisle, representing the four Evangelists. A striking statue of the Empress in coronation robes by Gerth was unveiled by the Emperor William in October, 1903. It is opposite the statue of her husband in the open space outside the Brandenburg gate at Berlin.

So lived, and so died, this most gifted and generous lady, who was rendered illustrious, not by the symbols of her Imperial station, but by her many winning qualities of heart and intellect.

We cannot do better than quote in conclusion from the remarkable tributes which were paid to her memory by the late Lord Salisbury and the late Lord Spencer.

Lord Salisbury, who was then Prime Minister, in moving an address of condolence with King Edward in the House of Lords, summed up in masterly fashion both the beauty and the tragedy of the Empress’s life:

“When the then Princess Royal left these shores, there was no person, either of contemporary experience or in history, before whom a brighter prospect extended itself in life, and all that could make it desirable spread itself before her. She had a devoted husband, himself one of the noblest characters of his generation, who probably centred in himself more admiration than any man in his rank or in any rank. She had every prospect of becoming the Consort of the Emperor—an absolute emperor—of the greatest of the Continental Powers. She had every hope that she would share fully in his illustrious position, and in no small degree in the powers that he wielded. This was before her for nearly thirty years, and in that time she had all the enjoyments which were derived from her own great abilities, her own splendid artistic talents, and from the powers which she exercised over the artistic, æsthetic, and intellectual life of Germany. She occupied an unexampled position. Then suddenly came the blow, first on her husband and then on herself. By that fell disease—which probably is the most formidable of all to which flesh is heir—her dream of happiness, of usefulness, and glory was suddenly cut short. The blow, in striking her husband, struck herself in even greater degree; and she felt—she could not but feel—how deeply she shared in all the disappointments, all the sufferings, that attached themselves to his history. When he had been Emperor only a few weeks, he died, and then she spent her life in retirement. Her health failed, and she, too, fell under the same blow, passing through years of suffering, with the sympathy of all connected with her and all those who knew her. She was deeply valued in this country by those who knew her, and they were very many. She had an artistic and intellectual charm of no common order; she spread her power over all who came within her reach; and her gradual disappearance from the scene was watched with the deepest sorrow and sympathy by numbers in her own country and in this.”

The motion was seconded on behalf of the Opposition by Lord Spencer, who, it will be remembered, was a near kinsman of that Lady Lyttelton to whom was entrusted the charge of the Empress’s early childhood:

“Her Imperial Majesty had no ordinary character. Brought up with the greatest care and solicitude by her Royal and devoted parents, she early and ever afterwards showed the highest accomplishments, not only in art but in literature. She was herself an artist of no small merit, and her power of criticism and influence in art was even of a higher order. In this age, which had been so remarkable for the enormous number of persons who have joined in endeavours to alleviate the sufferings of the human race, whether in peace or in war, I venture to think that no one stands in a higher position than the Empress Frederick of Germany. During those wars, in which her illustrious husband played such a splendid part, she exerted herself to do all she could to alleviate the sufferings of the wounded, and she had ever in peace used her endeavours to promote the same objects among the suffering poor of her country. No one, I am sure, will be remembered in the future with more affection and devotion on this account than her Majesty. She was always sympathetic and energetic with regard to other matters. There was nothing which stirred her sympathies or energies more than the education and improvement of her own sex. She did much in this respect in her adopted country; but we cannot consider her life without remembering the beautiful simplicity and earnestness of it. She was devoted to duty, and although she suffered intensely during her life when her noble husband was afflicted with the terrible disease which took him off, and during the sad years in which the same malady afflicted her, she always showed a patient endurance which will remain an example for all mankind. I cannot but refer to her great charm in private as well as in public life. It so happened that very early in my life, before she was married, she honoured me with her acquaintance. It was only on rare occasions I had the privilege of continuing that acquaintance, but I have from time to time within the last few years seen her Majesty, and I shall always recall, as one of the most delightful recollections of my life, the charm and influence of her conversation.