11. When morning came, and they could speak more calmly on the subject of their grief, they heard how her life had closed. They were all about her at the time, knowing that the end was drawing on. She died soon after daybreak. They had read and talked to her in the earlier portion of the night; but as the hours crept on, she sank to sleep. They could tell, by what she faintly uttered in her dreams, that they were of her journeyings with the old man; they were of no painful scenes, but of those who had helped and used them kindly, for she often said “God bless you!” with great fervor. Waking, she never wandered in her mind but once, and that was at beautiful music which she said was in the air. It may have been.

12. Opening her eyes at last, from a very quiet sleep she begged that they would kiss her once again. That done, she turned to the old man with a lovely smile upon her face—such, they said, as they had never seen, and never could forget—and clung with both her arms about his neck. They did not know that she was dead at first. For the rest, she had never murmured or complained; but with a quiet mind, and manner quite unaltered—save that she every day became more earnest and more grateful to them—faded like the light upon the summer’s evening.

13. And now the bell—the bell she had so often heard by night and day, and listened to with solemn pleasure, almost as a living voice—rung its remorseless tone for her, so young, so beautiful, so good. Decrepit age, and vigorous life, and blooming youth, and helpless infancy poured forth—on crutches, in the pride of strength and health, in the full blush of promise, in the mere dawn of life; to gather round her with angels; and when they called to mind how she had looked, and spoken, and her early death, some thought it might be so indeed. Thus coming to the grave in little knots, and glancing down, and giving place to others, and falling off in whispering groups of three or four, the church was cleared in time of all but the sexton and the mourning friends.

14. They saw the vault covered and the stone fixed down. Then, when the dusk of evening had come on, and not a sound disturbed the sacred stillness of the place—when the bright moon poured in her light on tomb and monument, on pillar, wall, and arch, and most of all (it seems to them) upon her quiet grave—in that calm time, when all outward things and inward thoughts teem with assurances of immortality, and worldly hopes and fears are humbled in the dust before them, then, with tranquil and submissive hearts, they turned away, and left the child with God.

LIII.—SORROW FOR THE DEAD.

WASHINGTON IRVING.

1. The sorrow for the dead is the only sorrow from which we refuse to be divorced.[387] Every other wound we seek to heal, every other affliction to forget; but this wound we consider it a duty to keep open; this affliction we cherish and brood over in solitude. Where is the mother who would willingly forget the infant that perished like a blossom from her arms, though every recollection is a pang? Where is the child that would willingly forget the most tender of parents, though to remember be but to lament?

2. Who, even in the hour of agony, would forget the friend over whom he mourns? Who, even when the tomb is closing upon her he most loved—when he feels his heart, as it were, crushed in the closing of its portals—would accept of consolation that must be bought by forgetfulness?

3. No, the love which survives the tomb is one of the noblest attributes of the soul. If it has its woes, it has likewise its delights; and when the overwhelming burst of grief is calmed into the gentle tear of recollection, when the sudden anguish and the convulsive agony over the present ruins of all that we most loved, is softened away into pensive meditation on all that it was in the days of its loveliness, who could root out such a sorrow? Though it may sometimes throw a passing cloud over the bright hour of gayety, or spread a deeper sadness over the hour of gloom, yet who would exchange it, even for the song of pleasure, or the burst of revelry?

4. No, there is a voice from the tomb sweeter than song. There is a remembrance of the dead to which we turn even from the charms of the living. Oh! the grave! It buries every error, covers every defect, extinguishes every resentment! From its peaceful bosom spring none but fond regrets and tender recollections. Who can look down even upon the grave of an enemy, and not feel a compunctious[388] throb, that he should ever have warred with the poor handful of earth that lies moldering before him!