Such mutilation has always been common in heathen nations—similarly regarded as amongst the Hebrews, but used as the greatest mark of indignity possible to inflict upon an enemy—some of the Egyptian bas-reliefs represent the King (Rameses II.) returning in triumph with captives, many of whom are undergoing the operation of castration, while in the corners of the scene are heaped up piles of the genital organs which have been cut off by the victors. Some of the North American Indians, particularly the Apaches of California and Arizona, have been noted for their frequent use of the same barbarous practice on the prisoners taken in war and upon the bodies of the slain.

We get a similar instance in Israelitish history as recorded in the first book of Samuel, where Saul being afraid of David, sought a favourable opportunity to get him slain by the Philistines. There is the story of the love of Michal, Saul’s daughter, for David, and the use Saul endeavoured to make of that fact in carrying out his evil designs. The news that Michal had thus fallen in love, pleased Saul, and he said, “I will give him her, that she may be a snare to him and that the hand of the Philistines may be against him.” So David was told that the King would make him his son-in-law. But it was customary in those times for the bridegroom to give a dowry instead of as at other times and in other places, to receive one, and David immediately raised the objection that this was out of his power as he was but a poor man. This was Saul’s opportunity and his message was, “the King desireth not any dowry, but an hundred foreskins of the Philistines. But Saul thought to make David fall by the hand of the Philistines.” Of course this involved the slaughter of a hundred of the enemy, and Saul made sure in attempting such a task, David would fall before odds so terribly against him. In commanding the foreskins to be brought to him Saul made sure that they would be Philistines who were slain, they being almost the only uncircumcised people about him. This proposal, however, it seems, did not alarm David in the least, he went forth at once on his terrible mission and actually brought back thrice the number of foreskins required of him by the King. This is not the only case on record of such a mutilation; mention is made by Gill the commentator of an Asiatic writer who speaks of a people that cut off the genital parts of men, and gave them to their wives for a dowry.

So sacred was the organ in question deemed in ancient times, especially in Israel, that it was used as the means of administering the most binding form of oath then known. It is described as putting the hand upon the thigh, and instances are found in Genesis xxiv., 2, and xlvii., 29. In the former of these passages Abraham requires his elder servant to put his hand under his thigh and take an oath respecting the wife he would seek for his son Isaac. In the second passage, it is Jacob requiring his son Joseph to perform a similar action; in each case what is meant is that the genital organ, the symbol of the Creator and the object of worship among all ancient nations was to be touched in the act of making the promise.

But, as we have pointed out, there is another side to this matter, the worship of the male organ was only one part; the female organs of generation were revered as symbols of the generative power of God. They are usually represented emblematically by the shell, or Concha Veneris, which was therefore worn by devout persons of antiquity, as it still continues to be by pilgrims and many of the common women of Italy. The union of both was expressed by the hand, mentioned in Sir William Hamilton’s letter, which, being a less explicit symbol, has escaped the attention of the reformers, and is still worn as well as the shell by women of Italy, though without being understood. It represented the act of generation, which was considered as a solemn sacrament in honour of the Creator.

Some of the forms used to represent the sacti or female principle, are very peculiar yet familiar to many who may not understand them. Indeed, as Inman says, “the moderns, who have not been initiated in the sacred mysteries, and only know the emblems considered sacred, have need of both anatomical knowledge and physiological lore ere they can see the meaning of many a sign.”

As already stated, the triangle with its apex uppermost represents the phallic triad; with its base uppermost, the Mons Veneris, the Delta, or the door by which all come into the world. Dr. Inman says:—“As a scholar, I had learned that the Greek letter Delta (

) is expressive of the female organ both in shape and idea. The selection of name and symbol was judicious, for the word Daleth and Delta signify the door of a house and the outlet of a river, while the figure reversed (

) represents the fringe with which the human Delta is overshadowed”—this Delta is simply another word for the part known as Concha, a shell. This Concha or Shank is one of the most important of the Eastern symbols, and is found repeated again and again in almost everything connected with the Hindu Pantheon. Plate vi. of Moor’s elaborately illustrated work on the Indian deities represents it as seen in the hands of Vishnu and his consort. The god is represented like all the solar deities with four hands, and standing in an arched doorway. The head-dress is of serpents; in one of the right hands is the diamond form the symbol of the Creator; in one of the left hands is the large Concha and in the other right hand, the great orb of the day; the shell is winged and has a phallic top.