View of Chamber in Maeshow.
But the most interesting fact connected with Maeshow was the discovery that a large number of Runic inscriptions had been scratched on the stones of the interior walls of the chamber. It was evident, from the height at which the inscriptions occurred, as well as from indications of the weathering of the stones previous to their being inscribed, that when the runes were cut the chamber was roofless and partially filled up with rubbish. The form of the letters of which the inscriptions are composed is that of the later class of Norse Runes, “which,” says Professor Munch, “are never older than A.D. 1100 at least.” The majority of the inscriptions are such as men seeking the shelter or concealment of the “broken how” might scribble from mere idleness. One gives the Runic alphabet. A number of others are simple memoranda consisting of the name of a man and the statement that he “hewed this” or “carved these runes.” But one of the longer inscriptions supplies the important information that “the Jorsala-farers broke open the Orkahaug in the lifetime of the blessed earl.” This seems to imply that the inscription was carved after the death of “the blessed earl” Rögnvald, or subsequent to 1158. The Jorsala-farers who accompanied him from Norway in 1152 remained a considerable time in Orkney before the expedition was ready, and as we learn from the Saga their conduct during that time was such as would naturally result from the enforced idleness of a numerous body of rough and uncontrolled adventurers. The “breaking of a how” in the hope of finding treasure was a common exploit among the Northmen. It seems to have been done sometimes also as a proof of courage, for the bravest were not altogether void of superstitious fears. From another part of the inscription we gather that the Jorsala-farers who broke the Orkahaug were disappointed in the hope of finding treasure, as it had been previously carried away. In all probability they were not the first who had been tempted by the magnitude of the monument to try the venture. On one of the buttresses, long slabs inserted in the corners of the chamber, is carved a cross, and on another a dragon, similar in style to that in the tomb of King Gorm the Old at Jellinge in Denmark, and bearing also some resemblance to one sculptured on the Runic stone dug up in St. Paul’s Churchyard, London, and to another at Hunestad in Scania. The tomb of King Gorm is dated about the middle of the 10th century. Rafn assigns the stone dug up in London to about the middle of the 11th century; while the Hunestad example is assigned to about 1150, which is close on the date of Earl Rögnvald’s expedition to the Holy Land, which brought the Jorsala-farers to Orkney.
RUBBING FROM MAESHOW TUMULUS.
Among the names thus carved on the stones of Maeshow are those of Ingibiorg, Ingigerd, Thorer, Helgi, Ingi, and Arnfinn. All these are names of persons who are mentioned in the Saga as living in Earl Rögnvald’s time, and several of whom were closely connected with him. Ingigerd, his daughter, was married to Eric Slagbrellir, and they had a daughter named Ingibiorg. Helgi was a particular friend of Earl Rögnvald’s. Arnfinn was taken prisoner by Earl Harald the morning after he and his men had spent the Yule-feast day at Orkahaug on his way to surprise Earl Erlend.[[199]] There is nothing, however, to identify any of these names with certainty as the names of the persons mentioned in the Saga. But the fact that the name Orkahaug, which only occurs once in the Saga, is not known to occur anywhere else except in the inscription carved on the walls of Maeshow, referring to the breaking open of the tumulus, is interesting in more ways than one. It shows that the Norsemen were ignorant of the origin of the tumulus, which they knew only as the Orka-haug[[200]] or “mighty how.” In one of the inscriptions the writer assigns its construction to the sons of Lodbrok, which is equivalent to saying that its origin was quite unknown[[201]] to them.
Ring of Brogar, from the south-west.
About a mile to the south-west of Maeshow, and scattered over the ness or tongue of land separating the loch of Stennis from the sea, is a remarkable group of stone circles and tumuli.[[202]] The largest of the circles, the “Ring of Brogar,” having a diameter of 366 feet, encloses an area of 2½ acres. It is surrounded by a trench 29 feet broad and 6 feet deep. Within the enclosure thirteen stones of the great circle still remain standing, the stumps of thirteen more are visible, and ten are lying prostrate. The original number of the stones, says Captain Thomas, on the presumption that they were placed at nearly equal distances apart, would have been sixty, so that twenty-four have been entirely obliterated. The highest stone stands almost 14 feet above the surface of the ground, and the lowest is about 6 feet, the average being from 8 to 10 feet. It is difficult to realise the amount of laborious effort expended in the construction of a work like this, which does not appeal to the eye like the magnitude of the great mounds around it. But when one reflects on what is implied in the transportation and erection of these great stones, and the excavation of a ditch round them of 10 yards wide, 2 yards deep, and 366 yards long, it loses none of its magnificence in comparison with the more imposing monuments.
Ring of Stennis and Cromlech, from the northward.