1. The centre table may be a moderate-sized kitchen table, with a drawer to stand open; so that the performer can take any article out of the drawer with one hand, while engaging the eyes of the spectators with his other hand. A colored cloth should be over the tables, on the side towards the spectators.
2. Two small tables, at the sides of the centre table, may also be useful, as in Fig. 23.
FIG. 23.
3. With tables arranged somewhat in this manner, the amateur will be able to take up articles, from either the surface or back of the tables, without attracting notice to his doing so. He must practise taking up things with one hand, while his other hand and his eyes are ostensibly occupied with some other object; for if the spectators see him looking behind his table, their eyes will immediately follow in the same direction.
The amateur will do well to select the simpler tricks for his first attempts, and never pretend to exhibit even those without having frequently and diligently practised them. He must make up his resolution to train his hands to the passes, and to the several manœuvres in the tricks, as diligently as young ladies train their fingers to the keys of the piano.
And let them not be discouraged if they feel awkward and nervous at first. Some of the best conjurors have candidly confessed their early failings and misgivings. With practice and perseverance this will, in most cases, wear off. I would augur that, if they feel an interest in the art, and a desire to excel in it, they will most probably secure a measure of success that will amply repay their efforts.
[TRICK 25.—The Conjuror’s “Bonus Genius,” or Familiar Messenger.]
This is an old trick that has delighted thousands, and may amuse thousands more, if adroitly performed. There are only the simplest mechanical arrangements connected with it; its successful exhibition depends upon the dexterity and vivacity of the performer.
PREPARATION.