"You asked me," said Alice.
"Yes, I know, but I hardly thought you'd come." She darted back to the previous conversation. "I'm going to make a lot of money, though, and then I'm going to have a long holiday, and a villa somewhere in Italy."
"Oh, they won't let you rest long."
"It won't be very long really, because I shall spend all the money," Ora explained with a smile. "Let's have some tea."
She rang, and tea was brought by a very respectable middle-aged woman. Ora addressed her maid as Janet and gave her a series of orders; Janet listened to them with a non-committal air, as though she would consider whether they were reasonable or not, and act according to her conclusion. Alice noticed that she called her mistress "Ma'am;" the reference to Mr. Fenning was very indirect, but it was the first that Alice had ever heard made in Ora's presence. It seemed to her also that Janet laid some slight emphasis on the designation, as though it served, or might be made to serve, some purpose besides that of indicating the proper respect of a servant. She found herself wondering whether Janet dated from the time when Mr. Fenning was still a present fact and formed a member of the united Fenning household (which, by the way, was an odd entity to contemplate). If that were the case, a conversation with Janet might be very interesting; knowledge might be gained about the bulwark; Alice had begun to look on Mr. Fenning as a bulwark—and to tell herself that she did no such thing.
A large number of photographs stood on the mantel-piece and about the room, most of them signed by their originals. Many were of men; one might be of Mr. Fenning. A silver frame stood on a little table just by the sofa. Alice's intuitive perception told her that here was Ora's favourite place; her traditions caused her to conclude that the frame (its back was towards her) held Mr. Fenning's portrait. She was not undiplomatic, only less diplomatic than many other women; she took a tour of inspection, saying how pretty the room was and declaring that she must look closer at the photograph of an eminent tragedian on the opposite wall. Her return movement shewed her the face of the portrait which she had guessed to be Mr. Fenning's; it was that of her friend Ashley Mead.
"Yes," said Ora, "he sent me that yesterday. I was so glad to have it."
"You gave him a return?" asked Alice with a careless laugh, the laugh appropriate to the moment.
"He chose one and I wrote on it. Sugar, Miss Muddock?"
Alice took sugar.