"Because there's a B in both—and another in your bonnet, old man," the irrepressible lady answered, to his intense disgust.


[CHAPTER XXVII]

IN THE HANDS OF THE GODS

Arthur went to several more rehearsals, but as they progressed, as the production took shape and final form, they became to his unaccustomed mind painfully exciting, so full of ups and downs, now ominous of defeat, now presaging glorious victory. What were to the old hands ordinary incidents and everyday vicissitudes were to him tragedies or triumphs. If Mr. Etheringham said "That's better," or "Well, we've got something like it at last," he swelled with assurance, and his pockets with imaginary bullion. Whereas if Mr. Etheringham flung his script down on the table and exclaimed, "Well, it's not my money, thank God!"—or if it appeared that there was no sort of chance of the scenery being ready (and there very seldom is)—or if the author looked more melancholy than usual (and Mr. Beverley had an extraordinary and apparently inexhaustible gift for crescendos of melancholy)—Arthur concluded that all was "up," and that the shutters would soon follow the general example. In view of the vital bearing which success had upon his financial position, the strain was great, almost too exciting and thrilling for endurance. More than once he swore that he would not go near the place again—till "the night." But he could not keep his oath. The fascination of the venture drew him back. Besides he was attracted to his co-adventurers—to fiery Mr Etheringham, with his relentless energy, his passionate pessimism and furious outbursts; to the melancholy author, surveying as it were a folly of his youth and reckoning on the stupidity of the public to release him from "the office" and let him "do" real life; to the leading man, war-worn hero of a hundred farces, whose grey locks were to turn to raven-black, and whose girth must suffer hard constriction to dimensions that become a youthful lover—on the night; to Miss Ayesha Layard with the audacious sillinesses which her laughter and her impudent pug-nose made so strangely acceptable. Even though Arthur had really no part in it all, and nothing to do but sit and watch and smoke, he could not keep away—and he rejoiced when somebody would come and sit by, and exchange opinions. It says much for his resolutions of reform that, in spite of all, he spent several hours every day at chambers, trying to bend his mind to Benjamin on Sales and, by virtue of the human interest of that remarkable work, succeeding better than was to be expected.

Amidst these occupations and distractions the great trouble which had come upon him was no longer the continual matter of his thoughts. The sense of loss and the conviction of folly—the two were inseparably united in consciousness—became rather enemies lurking in the recesses of his mind, ready to spring out at him in hours of idleness or depression. To prevent or evade their attack was a task to which he set himself more instinctively than of deliberate purpose; but in fact the fear of them—the absolute need of keeping them down unless he were to lose heart—co-operated with the good resolutions he had made and with the new interests which had come into his life. To seek fresh objects of effort and to lay himself open to a new set of impressions—here rather than in brooding, or remorse, or would-be philosophising, lay the path of salvation for a spirit young, ardent, and elastic, healthily averse from mental hypochondria, from nursing and cosseting its wounds. He was in the mood of a football player who, sore from a hack and shaken by a hard tackle, picks himself up and rushes to take his place in the scrimmage.

Three days before "the night"—that date now served him for a calendar—he received a hasty summons from Esther Norton Ward. The lease of the Lisles' house in Hill Street was to be sold, and Judith Arden had come up to town, to settle matters relating to the furniture; some was to be disposed of, some sent to Hilsey. The Norton Wards were at home, the prospective candidate being engaged in an electoral campaign in his prospective constituency, which could be "worked" most easily from London; Judith was to stay a few days with them. Though Norton Ward himself would be away speech-making, the two ladies begged the pleasure of Arthur's company that evening.

"Then Judith will be in town on the night," thought Arthur. His eye gleamed with a brilliant inspiration. On the night he would be the proud possessor of a box at the Burlington Theatre—that, at least, his thousand pounds gave him. He instantly determined to invite his friends to share it with him. He added this invitation of his own when he sent his note accepting Esther's.

"But how comes he to be having boxes at first nights?" asked Esther.

"Oh, don't you know? He's put up some money for the play. Quite a lot, in fact," said Judith, with a laugh which sounded apologetic.