Arthur's lips puckered about his pipe-stem; it was a trick he had.
"I think I should call that falling in love well, not badly," he observed gravely.
It was the gravity of the speaker, not the import of the thing spoken, which made Norton Ward laugh again and heartily. His was one of those temperaments—sane, practical, concrete, equable—which regard the affairs of love as a very subsidiary matter in real life, in the real life of any individual, that is, for of course they possess a national and racial importance when reduced to statistics. He did not quarrel with the literary convention which exalted love to the highest place—the convention made good reading and produced exciting plays—but it did not answer to real life as he knew it, to the stern yet delightful fight which filled his days, and really filled his wife's too, since she was a partner wherever she could be, and an eager encourager in all things. But what of the great amorists who were also great men and women? Well, how much of that too was play-acting—to the public and to themselves? That was the question his mind instinctively put about such cases.
As he looked at Arthur Lisle's slight figure and sensitive face, he felt a compassion for him, a pitying doubt whether so frail a vessel could live in the rough sea on which it had embarked. Characteristically this friendly impulse expressed itself in an invitation to dinner, which was received by Arthur with surprise, delight, and gratitude.
"Of course I will, and it really is most awfully kind of you," he said.
Norton Ward went off to a consultation with a smile of mingled pity and amusement still on his lips.
His invitation to dinner really pleased Arthur very much, not only as a sign of friendship, but for its own sake. He had found his early days in London lonely—in depressing contrast with the full social life of school and Oxford. The glowing anticipations with which imagination had invested his coming to the metropolis had not stood the test of experience. For some young men family connections, or notable achievements and high reputation, provide a ready-made place in London. Others possessed of ample means can make a pretty good one for themselves speedily. But Arthur's university career, though creditable and to him delightful in the highest degree from its teeming fulness of interests, had not been conspicuous; he had no powerful friends, and he was very poor. After his chambers were paid for, and his share in Henry, and his lodgings in Bloomsbury Street, there was left not much margin beyond the necessities of life—food, raiment, and tobacco. The theatre, even the pit, could not be indulged in often. He had many solitary evenings. When it was fine, he often walked the streets; when it was wet he read—and often stopped reading to wish that something would happen. His vague and restless longings took no form more definite than that—wanting something to happen. He was in London, he was young, he was ready—and nothing happened! Consequently an invitation to dinner was a prize in the daily lottery of life.
When he got back to his 'diggings' in the evening, he found a letter from home. His mother and sister had continued to live on in the old house at Malvern Wells after the death of his father, who had enjoyed a fairly good practice as a doctor there, but dying comparatively early had left a slender provision for his family. Mrs. Lisle preferred to be poor, since poor she had to be, in a place where she was already known and respected. The school too was a great attraction; there Arthur had been educated as a day boy, and thence had proceeded to Oxford with an exhibition, to which he added a second from his college, thus much easing the family finances, and indeed rendering Oxford possible. There had been talk of his people's migrating to London and making a home for him there, but in fact none of the three had been zealous for the change. Mrs. Lisle was frail and clung to her accustomed hills and breezes; Anna had her friends, her circle, her church work, her local importance; and Arthur was at that time too full of those glowing anticipations of London life to press the project of a family villa somewhere in the suburbs and a season-ticket to take him out of town at the precise hour of the evening when town began to be amusing.
For all that, he was an affectionate son and brother, and he smiled sympathetically over Anna's home gossip. Only the postscript made him frown rather peevishly. It ran: "Mother wants to know whether you have called on the Godfrey Lisles yet!"
Mother wanted to know that in pretty nearly every one of her own and Anna's letters; hence the italics which distinguished Anna's "yet." And the answer still had to be in the negative. Why should he call on the Godfrey Lisles? He knew his mother's answer; a thoroughly maternal answer it was. Godfrey Lisle, though only a distant cousin, was the head of the house, squire of Hilsey Manor, the old family place, and a man of considerable wealth—altogether, in fact, the Personage of the family. Most families have a Personage, to them very important, though varying infinitely in significance or insignificance to the world outside. On the whole the Lisle Personage was above the average from the outside point of view, and Mrs. Lisle's anxiety that her son should pay him proper attention, and reap therefrom such advantage as might accrue, was no more than natural.