CHAPTER II.
New Faces and Old Feuds.
There was, no doubt, some excuse for the interest that the ladies at Millstead Manor had betrayed on hearing the name of Father Stafford. In these days, when the discussion of theological topics has emerged from the study into the street, there to jostle persons engaged in their lawful business, a man who makes for himself a position as a prominent champion of any view becomes, to a considerable extent, a public character; and Charles Stafford's career had excited much notice. Although still a young man but little past thirty, he was adored by a powerful body of followers, and received the even greater compliment of hearty detestation from all, both within and without the Church, to whom his views seemed dangerous and pernicious. He had administered a large parish with distinction; he had written a treatise of profound patristic learning and uncompromising sacerdotal pretensions. He had defended the institution of a celibate priesthood, and was known to have treated the Reformation with even less respect than it has been of late accustomed to receive. He had done more than all this: he had impressed all who met him with a character of absolute devotion and disinterestedness, and there were many who thought that a successor to the saints might be found in Stafford, if anywhere in this degenerate age. Yet though he was, or was thought to be, all this, his friends were yet loud in declaring—and ever foremost among them Eugene Lane—that a better, simpler, or more modest man did not exist. For the weakness of humanity, it may be added that Stafford's appearance gave him fully the external aspect most suitable to the part his mind urged him to play; for he was tall and spare; his fine-cut face, clean shaven, displayed the penetrating eyes, prominent nose, and large mobile mouth that the memory associates with pictures of Italian prelates who were also statesmen. These personal characteristics, combined with his attitude on Church matters, caused him to be familiarly known among the flippant by the nickname of the Pope.
Eugene Lane stood upon his hearthrug, conversing with the Bishop of Bellminster and covertly regarding his betrothed out of the corner of an apprehensive eye. They had not met alone since the morning, and he was naturally anxious to find out whether that unlucky "Claudia" had been overheard. Claudia herself was listening to the conversation of Mr. Morewood, the well-known artist; and Stafford, who had only arrived just before dinner, was still busy in answering Mrs. Lane's questions about his health. Sir George Merton had failed at the last moment, "like a Radical," said Claudia.
"I am extremely interested in meeting your friend Father Stafford," said the Bishop.
"Well, he's a first-rate fellow," replied Eugene. "I'm sure you'll like him."
"You young fellows call him the Pope, don't you?" asked his lordship, who was a genial man.
"Yes. You don't mind, do you? It's not as if we called him the Archbishop of Canterbury, you know."
"I shouldn't consider even that very personal," said the Bishop, smiling.
Dinner was announced. Eugene gave the Bishop's wife his arm, whispering to Claudia as he passed, "Age before impudence"; and that young lady found that she had fallen to the lot of Stafford, whereat she was well pleased. Kate was paired with Haddington, and Mr. Morewood with Aunt Jane. The Bishop, of course, escorted the hostess.