CHAPTER XVI
A WORD TAKEN AT PLEASURE
The excellent entertainment provided for them acted as a palliative to Winnie's irritation and Bob Purnett's acute curiosity. There are no 'intervals' at music halls; they were switched too quickly from diversion to diversion for much opportunity of talk to present itself; and during the 'orchestral interlude,' half-way through the programme, Bob left his place in search of refreshment. When they came out, the subject of 'Mrs. Smith' had not advanced further between them.
Winnie refused her escort's offer of supper. By now she was tired out, and she felt, though reluctant to own it, a childish instinct—since she had to sleep in that desert of a house—to hide her head between the sheets before midnight. This aim a swift motor-cab might just enable her to accomplish.
Nor did the subject advance rapidly when the cab had started. Winnie lay back against the cushions in a languid weariness, not equal to thinking any more about her affairs that night. Bob sat opposite, not beside her, for fear of his cigar smoke troubling her. She often closed her eyes; then he would indulge himself in a cautious scrutiny of her face as the street lamps lit it up in their rapid passage. She looked exceedingly pretty, and would look prettier still—indeed, 'ripping'—with just a little bit of make-up; for she was very pale, and life had already drawn three or four delicate but unmistakable lines about eyes and mouth. Bob allowed himself to consider her with more attention than he had ever accorded to her before, and with a new sort of attention—on his own account as a man, not merely as a respectful critic of Godfrey Ledstone's taste. Because that remark of hers about not being called 'Mrs. Ledstone'—on pain of going mad—made a difference. Perhaps it meant only a tiff—or, as he called it, a 'row.' Perhaps it meant more; perhaps it was 'all off' between her and Godfrey—a final separation.
Whatever the remark meant, the state of affairs it indicated brought Winnie more within her present companion's mental horizon. Tiffs and separations were phenomena quite familiar to his experience. The truth might be put higher; tiffs were the necessary concomitant, and separations the inevitable end, of sentimental friendships. They came more or less frequently, sooner or later; but they came. Growing frequency of tiffs usually heralded separations. But sometimes the 'big row' came all at once—a storm out of a blue sky, a sudden hurricane, in which the consort ships lost touch of one another—or one went under, while the other sailed away. All this was familiar ground to Bob Purnett; he had often seen it, he had experienced it, he had joked and, in his own vein, philosophized about it. The thing he had not understood—though he had punctiliously feigned to accept—was the sanctity and permanence of a tie which was, as everybody really must know, neither sacred nor likely to be permanent. There he was out of his depth; when tiffs and separations came on the scene, Bob felt his feet touch bottom. And he had always been of opinion, in his heart, that, whatever Winnie might believe, Godfrey Ledstone felt just as he did. Of course Godfrey had had to pretend otherwise—well, the face opposite Bob in the cab was worth a bit of pretending.
Winnie spoke briefly, two or three times, of the performance they had seen, but said nothing more about herself. When they arrived at her door, she told him to keep the cab.
"Because I've got nothing for you to eat, and I think you finished even the whisky! Thanks for my evening, Mr. Purnett."
He walked through the little court up to the door with her. "And you look as tired as a dog," he remarked—with a successful suppression of 'Mrs. Ledstone.' "What you want is a good sleep, and—and it'll all look brighter in the morning. May I come and see you soon?"
"If I'm here, of course you may. But I haven't made up my mind. I may go back to the country, to the Aikenheads, my cousins—where I met Godfrey, you know."