Nicholas Driver began life as a tanner in Catsford. He was thrifty and saved money. With the money he bought land and built some villas; with the rent of the villas—more land. He had faith in the development of Catsford. He got early news of the coming of the railway; he pledged every house and every inch of land—and bought more land. So the process went on—detailed by Mr. Cartmell, indicated here. Nicholas Driver became moderately rich—and, by the way, his Catsford property had never ceased to rise in value and was rising still. Then, as it seemed (even Mr. Cartmell spoke conjecturally), an era of speculation followed—first in England, then in America. "That," Cartmell interjected, "was when he picked up this girl's mother, not that she was American, but he met her about that time." He must have speculated largely and successfully, or he could not have made all that money—so stood the case. The money made, the process of "driving his wedge into the county" began. "The county" must, here and henceforward, be carefully distinguished from "the town." Geographical contiguity does not bridge a social chasm.
First he bought Hatcham Ford, a small but beautiful Jacobean house lying on the banks of the river, some mile and a half out of Catsford at that time, now caught in the lengthening fringe of the town. While in residence there, he spread his territory to the north and west, acquiring all the outlying farms which the Lord Fillingford of the day was free to sell; then, too, he made his first audacious bid for Fillingford Manor itself—the first of many, it appeared. Though the later no longer seemed audacious, all had been fruitless; Lord Fillingford could not sell without his son's consent, and that was withheld. The family struggled on in perpetual financial straits, hating Nicholas Driver, but envying him his money, never coming to an open rupture with him for fear of his power or apprehension of its own necessities; never sparing a sneer or a secret thrust when either was safe. For his part, baffled in that quarter, he turned to the east and approached Mr. Dormer of Breysgate Priory. It was a beautiful place. Down by the lake lay the old Cistercian monastery; the original building was in ruins, but a small house had been built on in the days of Elizabeth, and this was still habitable. High on the hill stood the big, solidly handsome, Georgian mansion, erected by the Dormer of the day when the estate came into the hands of the family. From the hilltop the park rolled out and out in undulating curves of rich grass-land and spreading woods. To Nicholas Driver's joy and surprise—he had anticipated another struggle and feared another rebuff—Mr. Dormer was ready to sell—for a price. He was elderly, his wife middle-aged, his only heir a cousin toward whom he was indifferent and who, though heir of entail to the property, would be unable to keep it up, unless his predecessor left him money for the purpose. In these circumstances matters were soon arranged. The cousin was bought off, his consent given, and the Dormers retired to a smaller place, properly the dower house—Hingston Hall, situated fifteen miles from Catsford. Behold Nicholas Driver a country gentleman on a distinctly large scale!
"And with how much ready money to his name besides you'll get some idea about when the will is proved," Mr. Cartmell ended impressively.
His impressiveness impressed me; I do not know why I should be ashamed to confess it. A great deal of anything impresses ordinary people; a great deal of hill is a mountain, a great deal of water is an ocean, a great deal of brain is a genius; and so on. Similarly, a great deal of money has its grandeur—for ordinary people.
"It might be a million and a half—a million and a half sovereigns, Austin!—and it's growing every night while you sleep! And now—he's dead!"
"You do die just the same—that's the worst of it."
"And not an old man either!"
"Sixty-three!"
"Tut—I shall be that myself in three years—and you can't tire me yet!"
"Perhaps making millions and driving wedges is—rather exhausting, Cartmell. You split the tree; don't you blunt the wedge in time, too?"